The Lyrans are a race of humanoids that have been in existence long
before the history of Earth began. We come from many planets associated
with the star system of Lyra. We are very humanlike in our appearance.
You would not be able to tell us from any other human if you were to
pass one of us on the street. In fact we are responsible for the seeding
of your planet with the humanoid looking being that is associated with
Earth. We are perhaps on the average a little taller than most Earth
humans and our skin is not as dark, but those would be the only
differences between us. There is some information out there that says we
are now Pleiadians, but that is in fact not true. We would be
considered cousins to them in a manner of speaking, but we are not one
and the same. We worked a great deal in conjunction with the Pleiadians
in seeding efforts not only on Earth, but many other planets as well. In
that respect we share a great deal in common with the Pleiadians. In
fact many Lyrans have lived many lifetimes as Pleiadians. We exist on a
higher-level plane of existence than earth is presently on at this
moment in time. In fact we as a race have transitioned to this higher
plane successfully in relatively recent times. This is one of the
reasons we have a keen interest in Earth at this time because of Earth's
own ascension process taking place now. This also is why there are many
Lyrans incarnate on Earth at this time so as to be of assistance to the
Earth and Her peoples in this time of transition. We are here to help
show the way, because of our experience. In a sense we have a parental
role to play with the peoples of Earth and we are watching you grow and
mature.
The Felines are one of the two primary races in our universe. They arrived here by invitation of the Founders. Having successfully completed their Universal Game and completing their universe, a group of 45 Felines volunteered to come to this universe to help setup and oversee the same game here. The Felines are a bipedal race that stand 12 to 16 feet tall. Their skin is covered by a sort of soft fuzz, and though they don’t have fur, they do have manes and both the males and females have long hair. Their eye color ranges from blue to gold and can change from blue to gold as they mature. They also turn from a golden brown color to white. The overall Feline temperament is warm, sanguine and intellectual. As they mature they take on more of a somber, introspective and gentle nature. The elders are revered for the wisdom, compassion and insight. As a race they are extremely close and have a great sense of fair play. The females are revered and honored in equal status with the males. And true to the feline way, they are all very curious and inquisitive. As part of the Universal Game, the Founders gave the Felines a new planet in the Lyra Constellation for their home. The Felines named it Avyon. Now this is not the exact pronunciation, nor spelling , but it is close enough. The real name cannot be translated into English. Avyon was a paradise planet with mountains, lakes, streams and oceans. This blue planet was very much like our present earth in form and variety of vegetation and life forms. When the Felines arrived, they were in etheric form, and therefore, went through the stage of evolving a physical body in which to reside on the planet. After many millions of years they evolved the lion and other felines and began incarnating into those forms. As part of the plan, a portion of the original Felines stayed in etheric form to provide guidance to those incarnating. They would be the equivalent of your modern day Christos Beings. Remember, this was a 3D planet and once the etheric felines incarnated they would fall under the veil of amnesia that is part of the workings of a 3D planet of free will.
As time passed, and through countless incarnation cycles, the Felines
evolved a line of felines that walked upright and retained the
consciousness of their etheric counterparts thanks to the periodic
incarnations of some of the etheric Felines, and DNA from a bipedal
mammal similar to the Ape, that was evolving on the planet as well. With
the DNA from the ape-like mammal the Felines were able to take on a
more human-like body while retaining most of the facial features and
other characteristics of the feline. It was from this crossing when it
reached a certain stage that the genetic line known as the Royal Line of
Avyon, or House of Avyon, came into being. The etheric Felines would
continue to take turns incarnating to provide not only DNA upgrading,
but teaching and training in higher dimensional principals lest their
planet bound brothers and sisters get stuck in the non-sentient animal
incarnation cycle. As you can see, the Felines evolved on Avyon in much
the same manner as Humans evolved here on Earth. The only difference is
that the Humans did get stuck in the animal cycle. More on that later.
In time the conscious Felines grew large enough in number to take on the
responsibilities of planetary guardians of their home world. They
continued to evolve and eventually developed the technology for space
travel and then warp technology. Their etheric brothers and sisters
continued to act as their guides. Many among them became geneticists (a
Feline specialty) and began helping to develop life forms of various
kinds for planets and stars in the universe. Some among them became
great space explorers and scientists of various kinds. It was during
this stage in their development that the Felines would turn their
attention to that bipedal mammal they owed so much to, and begin a
program of genetic crossing and upgrading that would give them a soul
and, in the process create a new species that would become known as the
Humans. After numerous crossings and genetic upgrades, the Adamic Human
was made. There were two strains, the redheaded strain being the more
outgoing and energetic, and the platinum blonde strain being the more
gentle-natured and introspective.
After many thousands of years of continued careful crossing breeding, the Feline/Human hybrids began to be more common in the royal line of the Felines, The House of Avyon, than the purebred Felines were. Yet, this was the plan. In time the purebred Felines would become the ancient ancestors of the Humans with only their genetic traits as a reminder of the connection between them. And though the genetic relationship between the Felines and Humans has been forgotten by modern man, the Felines remain in our consciousness as a regal creature, worthy of our respect and love. The Felines remain the loving and supportive guardians of their genetic offspring, the Humans. They have continued in this role through time and all dimensions of the Universal Game.
Devin (Feline) is the reigning patriarch of the 9D Royal House of Avyon, and Anu (Human) is the reigning patriarch of the 5D Royal House of Avyon at this time. After the lyran wars, our homeworld was one of the last standing against the old empire, the annanuki, that took and devastated many systems. Our own world was destroyed in the end with billions still left there as only so many could be rescued. We were taken into many systems, Pleiades, the blond haired nordic looking pleidians are the lyraean ones, as well as Sirius, and Andromeda, and other systems as well. We exist in higher dimensions in these other systems as I have been shown living in a crystal city in the pleiadian one once while doing a mediation. We are aspects of our higher selves, and on assignments.
One Gnostic mythos describes the declination of aspects of the divine into human form. Sophia (Greek: Σοφία, lit. "wisdom"), the Demiurge's mother and partial aspect of the divine Pleroma or "Fullness," desired to create something apart from the divine totality,
without the receipt of divine assent. In this act of separate creation,
she gave birth to the monstrous Demiurge and, being ashamed of her
deed, wrapped him in a cloud and created a throne for him within it. The
Demiurge, isolated, did not behold his mother, nor anyone else, and
concluded that only he existed, ignorant of the superior levels of
reality.
The Demiurge, having received a portion of power from his mother,
sets about a work of creation in unconscious imitation of the superior Pleromatic realm: He frames the seven heavens,
as well as all material and animal things, according to forms furnished
by his mother; working, however, blindly and ignorant even of the
existence of the mother who is the source of all his energy. He is blind
to all that is spiritual, but he is king over the other two provinces.
The word dēmiurgos properly describes his relation to the material; he is the father of that which is animal-like himself.[13]
Thus Sophia's power becomes enclosed within the material forms of
humanity, themselves entrapped within the material universe. In
essence, the goal of Gnostic movements was typically the awakening of
this spark, which permitted a return by the subject to the superior,
non-material realities, which were its primal source.
In the Ophite and Sethian
systems, which have many affinities with the teachings of Valentinus,
the making of the world is ascribed to a company of seven archons, whose names are given, but still more prominent is their chief, "Yaldabaoth" (also known as "Yaltabaoth" or "Ialdabaoth").
In the Apocryphon of John c. AD 120–180, the demiurge arrogantly declares that he has made the world by himself:
Now the archon ["ruler"], who is weak, has three names. The first name is Yaltabaoth, the second is Saklas ["fool"], and the third is Samael.
And he is impious in his arrogance, which is in him. For he said, 'I am
God, and there is no other God beside me,' for he is ignorant of his
strength, the place from which he had come.[24]
He is Demiurge and maker of man, but as a ray of light from above
enters the body of a man and gives him a soul, Yaldabaoth is filled with
envy; he tries to limit man's knowledge by forbidding him the fruit of
knowledge in paradise. At the consummation of all things, all light will
return to the Pleroma. But Yaldabaoth, the Demiurge, with the material world, will be cast into the lower depths.[25]
Yaldabaoth is frequently called "the Lion-faced," leontoeides, and is said to have the body of a serpent. The demiurge is also[26]
described as having a fiery nature, applying the words of Moses to him:
"the Lord our God is a burning and consuming fire." Hippolytus claims
that Simon used a similar description.[27]
In Pistis Sophia,
Yaldabaoth has already sunk from his high estate and resides in Chaos,
where, with his forty-nine demons, he tortures wicked souls in boiling
rivers of the pitch, and with other punishments (pp. 257, 382). He is an
archon with the face of a lion, half flame, and half-darkness.
Under the name of Nebro (rebel), Yaldabaoth is called an angel in the apocryphalGospel of Judas.
He is first mentioned in "The Cosmos, Chaos, and the Underworld" as one
of the twelve angels to come "into being [to] rule over chaos and the
[underworld]." He comes from heaven, and it is said his "face flashed
with fire and [his] appearance was defiled with blood." Nebro creates
six angels in addition to the angel Saklas to be his assistants. These six, in turn, create another twelve angels "with each one receiving a portion in the heavens."
The most probable derivation of the name "Yaldabaoth" was given by Johann Karl Ludwig Gieseler. Giesler believed the name was derived from the Aramaic yaldā bahuth, ילדאבהות, meaning "Son of Chaos." However, Gilles Quispel notes:
Gershom Scholem,
the third genius in this field, more specifically the genius of
precision, had taught us that some of us were wrong when they believed
that Jaldabaoth means "son of chaos" because the Aramaic word bahutha
in the sense of chaos only existed in the imagination of the author of a
well-known dictionary. This is a pity because this name would suit the
demiurge risen from chaos to a nicety. And perhaps the author of the Untitled Document did not know Aramaic and also supposed as we did once, that baoth had something to do with tohuwabohu,
one of the few Hebrew words that everybody knows. ... It would seem
then that the Orphic view of the demiurge was integrated into Jewish
Gnosticism even before the redaction of the myth contained in the
original Apocryphon of John. ... Phanes is represented with the mask of a lion's
head on his breast, while from his sides, the heads of a ram and a buck
are budding forth: his body is encircled by a snake. This type was
accepted by the Mithras mysteries, to indicate Aion,
the new year, and Mithras, whose numerical value is 365. Sometimes he
is also identified with Jao Adonai, the creator of the Hebrews. His
hieratic attitude indicates Egyptian origin. The same is true of the monstrous figure with the head of a lion, which symbolises Time, Chronos, in Mithraism; Alexandrian origin of this type is probable.[28]
"Samael" literally means "Blind God" or "God of the Blind" in Hebrew (סמאל).
This being is considered not only blind, or ignorant of its own origins
but may, in addition, be evil; its name is also found in Judaism as the Angel of Death and in Christian demonology. This link to the Judeo-Christian tradition leads to a further comparison with Satan. Another alternative title for the demiurge is "Saklas," Aramaic for "fool."
The angelic name "Ariel" (meaning "the lion of God" in Hebrew)[29] has also been used to refer to the Demiurge and is called his "perfect" name;[30] in some Gnostic lore, Ariel has been called an ancient or original name for Ialdabaoth.[31] The name has also been inscribed on amulets as "Ariel Ialdabaoth",[32][33] and the figure of the archon inscribed with "Aariel".[34]
Marcion
According to Marcion, the title God was given to the Demiurge, who was to be sharply distinguished from the higher Good God. The former was díkaios, severely just, the latter agathós, or loving-kind; the former was the "god of this world" (2 Corinthians 4:4), the God of the Old Testament, the latter the true God of the New Testament.
Christ, though in reality, the Son of the Good God, pretended to be the
Messiah of the Demiurge, the better to spread the truth concerning His
heavenly Father. The true believer in Christ entered into God's kingdom;
the unbeliever remained forever the slave of the Demiurge
The Tenth Intellect, also known as the Demiurge (mudabbir) or Spiritual Adam (Adam al-ruhani), is a primordial being present primarily in the cosmological doctrine of the Tayyibi Isma'ilism
. The Tenth Intellect is the last in a series of celestial immaterial
Intellects—comprising a spiritual cosmos—that governs and sustains the
physical cosmos.
In the Tayyibi Ismaili cosmogony, known as the “drama in heaven,” the transcendent Originator (al-mubdi)
originated a number of primordial originated beings equal in rank and
capacity. One of these originated beings realized it had been created by
God and began to worship its originator, and was thus called the First
Intellect (al-mubda al-awwal) reigning over the spiritual cosmos.
Other originated beings were ranked by how quickly they followed the
example of this First Intellect, and the second and third Intellects
competed for the second rank. The second originated being succeeded and
emerged as the Second Intellect. The third originated being refused to
accept this prioritization of the Second Intellect and committed the
first “sin,” thus falling from third rank to tenth rank in the hierarchy
of archangelic Intellects. After realizing its error and repenting,
this Tenth Intellect emerged to govern and sustain a physical cosmos
filled with its own spiritual members—other fallen souls—that had
equally failed to recognize the preeminence of the Second Intellect.
To regain its original position, the Tenth Intellect attempts to convince other fallen beings to repent and begins the da’wah on earth. With the support of its followers, the Tenth Intellect combats the darkness of Iblis as it climbs through cycles of time back to redemption on the Day of Resurrection (Qiyama). The first representative of the Spiritual Adam’s earthly da’wah
was the Universal Adam, the first and primordial Imam, who then took
the place of the Spiritual Adam at the Tenth Intellect at the end of the
initial earthly time cycle, thus elevating the Spiritual Adam one step
closer to redemption and to its former position. Neither of these two
Adams should be confused with the historical Adam of the Bible or the Quran, who was merely a Partial Adam responsible for inaugurating the current time cycle approximately 6,000 years ago.
In the mythology of William Blake, Urizen (/ˈjʊrɪzən/) is the embodiment of conventional reason and law. He is usually depicted as a bearded old man; he sometimes bears architect's tools, to create and constrain the universe;
or nets, with which he ensnares people in webs of law and conventional
society. Originally, Urizen represented one half of a two-part system,
with him representing reason and Los, his opposition, representing imagination. In Blake's reworking of his mythic system, Urizen is one of the four Zoas that result from the division of the primordial man, Albion, and he continues to represent reason. He has an Emanation, or paired female equivalent, Ahania, who stands for Pleasure.
In Blake's myth, Urizen is joined by many daughters with three
representing aspects of the body. He is also joined by many sons, with
four representing the four elements. These sons join in rebellion
against their father but are later united in the Last Judgment. In many
of Blake's books, Urizen is seen with four books that represent the
various laws that he places upon humanity.
In the Book of Urizen,
Urizen is an eternal self focused being that creates itself out of
eternity, and, it is only Urizen, the representation of abstractions and
is an abstraction of the human self that exists in the beginning.
Eventually, he creates the rest of creation but is tormented from the
rest of the Eternal essence. Urizen is seen as the essence of the
eternal priest and is opposed by Los, the eternal prophet.[13] Parts of the story were later revised in The Book of Los and The Book of Ahania:[14] The Book of Ahania describes Urizen's relationship with his son Fuzon, and the Book of Los (1795) describes Urizen's creations from Los's viewpoint. The Song of Los
(1795) describes how Urizen's laws are given to humanity and their
destructive effects. The work ends with Orc's appearance and Urizen
weeping.[15]
Urizen appears within Blake's illustrations of Job as an image of Apollo. He and his realm are described in Blake's Milton a Poem,
and he is said to have a throne of silver/love. His realm included his
children and was surrounded by justice and eternal science. The work
also describes Urizen's Satanic fall. The Urizen of Milton is in the form of reason, and it is he that Milton follows. He appears again in the image "Milton's Dream" as illustrated for Il Penseroso. In the image, Urizen is with images of despair and is interfering with the image of the true God.[16]
In Vala, or The Four Zoas,
Urizen was said to have been born as the son of Albion and Vala, and is
the fourth son. He was made the leader of Heaven's host and commanded
the material sun. The work also describes his fall. Urizen appears in Jerusalem The Emanation of the Giant Albion
in a form similar to the previous works. Urizen is the organiser of the
universe while Los is the forger. He creates Natural Religion, and, in
his returned form after Albion awakes, he is a farmer
Urizen has clear similarities with the creature called the Demiurge by Gnostic
sects, who is likewise largely derived of the Old Testament god (more
specifically, like Blake's Urizen, the demiurge is a radical remodelling
of that figure achieved by expanding that figure's original contextual
setting, or by removing him to one that is almost completely new).
Speculative Freemasonry is another possible source of Blake's imagery for Urizen; Blake was attracted to the Masonic and Druidic speculations of William Stukeley. The compass and other drafting symbols that Blake associates with Urizen borrow from Masonic symbolism for God as the "Great Architect of the Universe".
Ptah is an Egyptian creator god who existed before all other things and, by his will, thought the world into existence. It was first conceived by Thought, and realized by the Word: Ptah conceives the world by the thought of his heart and gives life through the magic of his Word.
That which Ptah commanded was created, with which the constituents of
nature, fauna, and flora, are contained. He also plays a role in the
preservation of the world and the permanence of the royal function.
In the Twenty-Fifth Dynasty, the Nubian pharaoh Shabaka would transcribe on a stela known as the Shabaka Stone,
an old theological document found in the archives of the library of the
temple of the god at Memphis. This document has been known as the Memphite Theology, and shows the god Ptah, the deity responsible for the creation of the universe by thought and by the word.
Ptah is the patron of craftsmanship, metalworking, carpenters, shipbuilders, and sculpture.
Like many deities of ancient Egypt he takes many forms, through one of his particular aspects or through syncretism
of ancient deities of the Memphite region. Sometimes represented as a
dwarf, naked and deformed, his popularity would continue to grow during
the Late Period. Frequently associated with the god Bes, his worship then moved beyond the borders of Egypt and was exported throughout the eastern Mediterranean. Through dissemination by the Phoenicians, we find figures of Ptah in Carthage.
Ptah is generally represented in the guise of a man with green
skin, contained in a shroud sticking to the skin, wearing the divine
beard, and holding a sceptre combining three powerful symbols of ancient
Egyptian religion:
From the Old Kingdom, he quickly absorbs the appearance of Sokar and Tatenen, ancient deities of the Memphite region. His form of Sokar is found contained in its white shroud wearing the Atef crown, an attribute of Osiris. In this capacity, he represents the patron deity of the necropolis of Saqqara
and other famous sites where the royal pyramids were built. Gradually
he formed with Osiris a new deity called Ptah-Sokar-Osiris. Statuettes
representing the human form, the half-human, half-hawk form, or simply
the pure falcon form of the new deity began to be systematically placed
in tombs to accompany and protect the dead on their journey to the West.
His Tatenen form is represented by a young and vigorous man
wearing a crown with two tall plumes that surround the solar disk. He
thus embodies the underground fire that rumbles and raises the earth. As
such, he was particularly revered by metalworkers and blacksmiths, but
he was equally feared because it was he who caused earthquakes and
tremors of the earth's crust. In this form also, Ptah is the master of ceremonies for Heb Sed, a ceremony traditionally attesting to the first thirty years of a pharaoh's reign.
The god Ptah could correspond with the sun deities Re or Aten during the Amarna period,
where he embodied the divine essence with which the sun god was fed to
come into existence, that is to say to be born, according to the
Memphite mythological/theological texts. In the holy of holies of his temple
in Memphis, as well as in his great sacred boat, he drove in procession
to regularly visit the region during major holidays. Ptah was also
symbolized by two birds with human heads adorned with solar disks,
symbols of the souls of the god Re: the Ba. The two Ba are identified as the twin gods Shu and Tefnut and are associated with the djed pillar of Memphis.[3]
Finally, Ptah is embodied in the sacred bull, Apis. Frequently referred to as a herald of Re, the sacred animal is the link with the god Re from the New Kingdom.
He even received worship in Memphis, probably at the heart of the great
temple of Ptah, and upon the death of the animal, was buried with all
the honours due to a living deity in the Serapeum of Saqqara.
Scholars have also associated Ptah with the Mandaean god Ptahil outside of Egypt due to their somewhat similar features and closely related names.
Buddha states his propositions in
the pedantic style of his age. He throws them into a form of sorites;
but, as such, it is logically faulty and all he wishes to convey is
this: Oblivious of the suffering to which life is subject, man begets
children, and is thus the cause of old age and death. If he would only
realize what suffering he would add to by his act, he would desist from
the procreation of children; and so stop the operation of old age and
death.[4]
The Marcionites believed that the visible world is an evil creation of a crude, cruel, jealous, angry demiurge, Yahweh.
According to this teaching, people should oppose him, abandon his
world, not create people, and trust in the good God of mercy, foreign
and distant.[5][6][7]
The Encratites observed that birth leads to death. In order to conquer death, people should desist from procreation: "not produce fresh fodder for death".[8][9][10]
The Manichaeans,[11][12][13] the Bogomils[14][15][16] and the Cathars[17][18][19] believed that procreation sentences the soul to imprisonment in evil matter. They saw procreation as an instrument of an evil god, demiurge, or of Satan that imprisons the divine element in matter and thus causes the divine element to suffer.
Themes- Ring of Fire, Wall in Time, two suns, polarity in the universal body, Ra Lineage, Rishic consciousness, Lyra explosion as seed event, Lyrans created human prototype to heal Rip in Time.
These are rings, these bubble looking things are rings. The first thing coming to mind is that this is the Ring of Fire.
And what these are, it's like when we collapsed into density and we
separated into the membranes, there was a ring of fire we passed through
in the Wall in Time. That's what this is it is some kind of, I don't want to say Stargate it's not that, it is something likened to a time portal.
But it's a different construct it is a membrane opening between the
wall of time. Okay, the membrane between the wall of time between the
next universe. What we are starting to understand is the creation of
fields of the universal cycles, the cosmic day. There is an
understanding that from the center point of the God matrix the source
energy, many different creations were spawned in mathematical perfection
and formulation and these themes were created in these cosmic days of
God.
What I'm looking at here is something very difficult to describe
but is the construct that we're connecting to now, which was literally
the passing through the Ring of Fire or the passing through the Wall in Time.
And this membrane thing that I'm looking at is not a dimension as we
know it. It is something I have yet to really discover a word for, as we
have discovered through working with membranes and collapsing the
different levels of the dimensional time space matrix, in terms of Timelines. This is not that, yet the closest thing I can connect to it is a Wall in Time.
It looks like a nebula almost, it's an opening in between the universes
in the wall of time. However, the structure that was created is unknown
at this time. It is something that has been a part of the lack of
structural integrity through the universal time fields.
I'm not quite sure how that relates to, a weakness in the universal
structure that had at some time been created. It's like we passed
through the wall of time.
Whatever this opening is, is a part of the linkage between the
multiple universes. I'm not feeling this is the galactic core. It is a
link or it's a rip or it's an opening between the universal creations
but it's not linking at the core. It's like we came here at one level to
attempt to understand what this is. It's not a black-hole.
It reminds me of something that I experienced earlier this year when I started to see the trans-harmonic pillar and the chute of this Wormhole
type of structure. And this structure, while you were inside it, was
like being in the thickest most unexplainable Plexiglas that you'd ever
been in. It was the strangest thing because I was inside this and it
could pull me up and down, I could travel in it. And yet looking through
it I could see beings and they were saying take me with you, don't
leave me here. So I understood that this was some kind of portal in and
out of here, that other vibrational genetic life forms are not able to
attain, from whatever genetic damage or reason. That being has had an
experience and gotten stuck in whatever time space it's in.
And somehow this thing that I'm looking at, this wall in time has
created some kind of vibrational mass that is similar. It's creating a
split, it's creating a wall it's creating an inability to pass through.
And right now I don't understand why. It is like a slice of some kind
of material in the universe that has come through and just ... I see
Okay. This was the damage from Lyra,
this was the damage from some planetary explosion. Okay we're going
back into one of the first stair steps into this cosmic day. Meaning
that this was one of the creational experiences we had in this
particular universal structure. This is going back billions of years
this has to do with Lyra, Vega and what's known I believe as Aramatena.
There were three planets that were within, I want to say this solar
system. This is getting the information to assimilate and see how this
comes together.
We had two suns, this was a time where we had two suns. Somehow I'm
seeing an orbit with two suns and that was in this universe that was in
this structure. This was before this structure imploded on itself and
became separate. A planetary body exploded and the logo's and sentient
consciousness of that being was projected into part of the realm. This
has to do with the lineage of Ra and this is a Rishic level of consciousness
that is the Light of the Thousand Suns. This is a consciousness that,
the closest I can come to even understanding this would be the God the
Sun, like the consciousness of the sun basically.
Some event has created an explosion at that level, at that
timeline. This system was made of two suns and one of the suns exploded.
This is the metaphor between the son of God, and what I'm getting at is
that the original metaphor of the Luciferian
light and the light of Source, are coming from this. This
consciousness, this sun exploded and became reversed upon it self. I
don't want to use the word polarized because that's not accurate, it's
literally like it became the negative. As it exploded it went through a
black-hole and it reversed on itself and now you had two separations.
You had the sun on one side over here and you had a black-hole now on
the other side. And that black-hole used to be a sun.
Now for whatever reason as we're looking at this, again it's hard
to articulate. I don't want to place judgment or slant in looking at
this. Is it the divine plan the fragmentation of consciousness in the
experience we had there? That's fine. But it's understanding that now,
we are coming into the healing of the split of the two suns.
Understanding that the two suns, it's like the son of God but the
sun itself, the son/sun of all light, the sol/soul. This is a
consciousness, which is very hard to wrap around at a human level
because it isn't human. It's a consciousness it's a God, it's a God
consciousness. And it is that of the Great Central Sun, it is that which
feeds all life. Something blew up in the time of Lyra, something was
destroyed in the time of Lyra. Lyra was a planet, Vega was a planet, Aramatena
was a planet. In the three planets something happened one of these
planets exploded. I think it's Lyra is that correct? Okay. So when this
exploded, this thing that I'm looking at this opening this nebula this
ring, is where it went.
This is an opening it's like looking at a suction cup basically, a
really long spiral that went in the reverse direction instead of the
other direction. It became the negative of itself because it was like
inside out. And somehow this happened through an explosion. How and why
this explosion was caused is kind of a mystery. But what I'm seeing is
that the cause of this universe, in terms of its mechanics and
structure, the wall in time that is the split was created from this
original event. This universe became I want to say, special. Because it
seems at the time when this was witnessed from whatever level of
consciousness we can even imagine to ascertain this, something that had
never happened before, happened.
And so in a sense we could say even though much experience and
levels of fragmentation and distortion happened through this explosion
and split through the wall of time, it's like looking at this original
seed event. It's understanding, what I'm seeing is the link of all
fractal time-space in the seed in the original seed and spark of
creation of this universe, is that the same thing happened to the earth
at the same time this went on. It all happened at once. So when we
understand that the fifth dimensional counterpart of planet earth
imploded on itself and exploded into the third dimension as we know it,
with the 12 planets in this system. That is a micro level manifestation
of this event that I'm describing, which is what they're basically
attempting to show us here. This is the understanding of how this
universe began, do I want to say in polarity? This word does not seem
adequate but I do not have a word to replace it. The two suns separated
and these light projections manifested in the cycles of time as we
experience it now.
The term monad comes from the Greek feminine noun monas (nominative singular, μονάς), "one unit," where the ending -s in the nominative form resolves to the ending -d in declension.[1]
In some gnostic systems, the Supreme Being is known as the Monad, the One, the Absolute, Aiōn Teleos (the Perfect Aeon, αἰών τέλεος), Bythos (Depth or Profundity, Βυθός), Proarchē (Before the Beginning, προαρχή), Hē Archē (The Beginning, ἡ ἀρχή), the Ineffable Parent, and/or the primal Father.
Prominent Christian gnostics like Valentinus taught that the Monad is the high source of the Pleroma, the region of light constituting "the fullness of the Godhead." Through a process of emanation,
various divine entities and realms emerge from the One. Arranged
hierarchically, they become progressively degraded due to their
remoteness from the Father. The various emanations of the One, totaling
thirty in number (or 365, according to Basilides), are called Aeons. Among them exist Jesus (who resides close to the Father) and the lowest emanation, Sophia (wisdom), whose fall results in the creation of the material world.[2]
According to Theodoret's book on heresies (Haereticarum Fabularum Compendium i.18), the Arab Christian Monoimus (c. 150–210) used the term Monad to mean the highest god that created lesser gods,
or elements (similar to Aeons). In some versions of Christian
gnosticism, especially those deriving from Valentinius, a lesser deity
known as the Demiurge had a role in the creation of the material world separate from the Monad. In these forms of gnosticism, the God of the Old Testament, Yahweh, is often considered to have been the Demiurge, not the Monad,[3] or sometimes different passages are interpreted as referring to each.
The Monad is a monarchy with
nothing above it. It is he who exists as God and Father of everything,
the invisible One who is above everything, who exists as incorruption,
which is in the pure light into which no eye can look. “He is the
invisible Spirit, of whom it is not right to think of him as a god, or
something similar. For he is more than a god, since there is nothing
above him, for no one lords it over him. For he does not exist in
something inferior to him, since everything exists in him. For it is he
who establishes himself. He is eternal, since he does not need anything.
For he is total perfection.[4] A being can have a relationship with a God but not the Monad as that would be a contradiction.
Comments
Green Alien (Signs)
After many thousands of years of continued careful crossing breeding, the Feline/Human hybrids began to be more common in the royal line of the Felines, The House of Avyon, than the purebred Felines were. Yet, this was the plan. In time the purebred Felines would become the ancient ancestors of the Humans with only their genetic traits as a reminder of the connection between them. And though the genetic relationship between the Felines and Humans has been forgotten by modern man, the Felines remain in our consciousness as a regal creature, worthy of our respect and love. The Felines remain the loving and supportive guardians of their genetic offspring, the Humans. They have continued in this role through time and all dimensions of the Universal Game.
Devin (Feline) is the reigning patriarch of the 9D Royal House of Avyon, and Anu (Human) is the reigning patriarch of the 5D Royal House of Avyon at this time. After the lyran wars, our homeworld was one of the last standing against the old empire, the annanuki, that took and devastated many systems. Our own world was destroyed in the end with billions still left there as only so many could be rescued. We were taken into many systems, Pleiades, the blond haired nordic looking pleidians are the lyraean ones, as well as Sirius, and Andromeda, and other systems as well. We exist in higher dimensions in these other systems as I have been shown living in a crystal city in the pleiadian one once while doing a mediation. We are aspects of our higher selves, and on assignments.
https://en.wikipedia.org/wiki/Demiurge
One Gnostic mythos describes the declination of aspects of the divine into human form. Sophia (Greek: Σοφία, lit. "wisdom"), the Demiurge's mother and partial aspect of the divine Pleroma or "Fullness," desired to create something apart from the divine totality, without the receipt of divine assent. In this act of separate creation, she gave birth to the monstrous Demiurge and, being ashamed of her deed, wrapped him in a cloud and created a throne for him within it. The Demiurge, isolated, did not behold his mother, nor anyone else, and concluded that only he existed, ignorant of the superior levels of reality.
The Demiurge, having received a portion of power from his mother, sets about a work of creation in unconscious imitation of the superior Pleromatic realm: He frames the seven heavens, as well as all material and animal things, according to forms furnished by his mother; working, however, blindly and ignorant even of the existence of the mother who is the source of all his energy. He is blind to all that is spiritual, but he is king over the other two provinces. The word dēmiurgos properly describes his relation to the material; he is the father of that which is animal-like himself.[13]
Thus Sophia's power becomes enclosed within the material forms of humanity, themselves entrapped within the material universe. In essence, the goal of Gnostic movements was typically the awakening of this spark, which permitted a return by the subject to the superior, non-material realities, which were its primal source.
In the Ophite and Sethian systems, which have many affinities with the teachings of Valentinus, the making of the world is ascribed to a company of seven archons, whose names are given, but still more prominent is their chief, "Yaldabaoth" (also known as "Yaltabaoth" or "Ialdabaoth").
In the Apocryphon of John c. AD 120–180, the demiurge arrogantly declares that he has made the world by himself:
He is Demiurge and maker of man, but as a ray of light from above enters the body of a man and gives him a soul, Yaldabaoth is filled with envy; he tries to limit man's knowledge by forbidding him the fruit of knowledge in paradise. At the consummation of all things, all light will return to the Pleroma. But Yaldabaoth, the Demiurge, with the material world, will be cast into the lower depths.[25]
Yaldabaoth is frequently called "the Lion-faced," leontoeides, and is said to have the body of a serpent. The demiurge is also[26] described as having a fiery nature, applying the words of Moses to him: "the Lord our God is a burning and consuming fire." Hippolytus claims that Simon used a similar description.[27]
In Pistis Sophia, Yaldabaoth has already sunk from his high estate and resides in Chaos, where, with his forty-nine demons, he tortures wicked souls in boiling rivers of the pitch, and with other punishments (pp. 257, 382). He is an archon with the face of a lion, half flame, and half-darkness.
Under the name of Nebro (rebel), Yaldabaoth is called an angel in the apocryphal Gospel of Judas. He is first mentioned in "The Cosmos, Chaos, and the Underworld" as one of the twelve angels to come "into being [to] rule over chaos and the [underworld]." He comes from heaven, and it is said his "face flashed with fire and [his] appearance was defiled with blood." Nebro creates six angels in addition to the angel Saklas to be his assistants. These six, in turn, create another twelve angels "with each one receiving a portion in the heavens."
The most probable derivation of the name "Yaldabaoth" was given by Johann Karl Ludwig Gieseler. Giesler believed the name was derived from the Aramaic yaldā bahuth, ילדאבהות, meaning "Son of Chaos." However, Gilles Quispel notes:
"Samael" literally means "Blind God" or "God of the Blind" in Hebrew (סמאל). This being is considered not only blind, or ignorant of its own origins but may, in addition, be evil; its name is also found in Judaism as the Angel of Death and in Christian demonology. This link to the Judeo-Christian tradition leads to a further comparison with Satan. Another alternative title for the demiurge is "Saklas," Aramaic for "fool."
The angelic name "Ariel" (meaning "the lion of God" in Hebrew)[29] has also been used to refer to the Demiurge and is called his "perfect" name;[30] in some Gnostic lore, Ariel has been called an ancient or original name for Ialdabaoth.[31] The name has also been inscribed on amulets as "Ariel Ialdabaoth",[32][33] and the figure of the archon inscribed with "Aariel".[34]
Marcion
According to Marcion, the title God was given to the Demiurge, who was to be sharply distinguished from the higher Good God. The former was díkaios, severely just, the latter agathós, or loving-kind; the former was the "god of this world" (2 Corinthians 4:4), the God of the Old Testament, the latter the true God of the New Testament. Christ, though in reality, the Son of the Good God, pretended to be the Messiah of the Demiurge, the better to spread the truth concerning His heavenly Father. The true believer in Christ entered into God's kingdom; the unbeliever remained forever the slave of the DemiurgeIn the Tayyibi Ismaili cosmogony, known as the “drama in heaven,” the transcendent Originator (al-mubdi) originated a number of primordial originated beings equal in rank and capacity. One of these originated beings realized it had been created by God and began to worship its originator, and was thus called the First Intellect (al-mubda al-awwal) reigning over the spiritual cosmos. Other originated beings were ranked by how quickly they followed the example of this First Intellect, and the second and third Intellects competed for the second rank. The second originated being succeeded and emerged as the Second Intellect. The third originated being refused to accept this prioritization of the Second Intellect and committed the first “sin,” thus falling from third rank to tenth rank in the hierarchy of archangelic Intellects. After realizing its error and repenting, this Tenth Intellect emerged to govern and sustain a physical cosmos filled with its own spiritual members—other fallen souls—that had equally failed to recognize the preeminence of the Second Intellect.
To regain its original position, the Tenth Intellect attempts to convince other fallen beings to repent and begins the da’wah on earth. With the support of its followers, the Tenth Intellect combats the darkness of Iblis as it climbs through cycles of time back to redemption on the Day of Resurrection (Qiyama). The first representative of the Spiritual Adam’s earthly da’wah was the Universal Adam, the first and primordial Imam, who then took the place of the Spiritual Adam at the Tenth Intellect at the end of the initial earthly time cycle, thus elevating the Spiritual Adam one step closer to redemption and to its former position. Neither of these two Adams should be confused with the historical Adam of the Bible or the Quran, who was merely a Partial Adam responsible for inaugurating the current time cycle approximately 6,000 years ago.
In the Book of Urizen, Urizen is an eternal self focused being that creates itself out of eternity, and, it is only Urizen, the representation of abstractions and is an abstraction of the human self that exists in the beginning. Eventually, he creates the rest of creation but is tormented from the rest of the Eternal essence. Urizen is seen as the essence of the eternal priest and is opposed by Los, the eternal prophet.[13] Parts of the story were later revised in The Book of Los and The Book of Ahania:[14] The Book of Ahania describes Urizen's relationship with his son Fuzon, and the Book of Los (1795) describes Urizen's creations from Los's viewpoint. The Song of Los (1795) describes how Urizen's laws are given to humanity and their destructive effects. The work ends with Orc's appearance and Urizen weeping.[15]
Urizen appears within Blake's illustrations of Job as an image of Apollo. He and his realm are described in Blake's Milton a Poem, and he is said to have a throne of silver/love. His realm included his children and was surrounded by justice and eternal science. The work also describes Urizen's Satanic fall. The Urizen of Milton is in the form of reason, and it is he that Milton follows. He appears again in the image "Milton's Dream" as illustrated for Il Penseroso. In the image, Urizen is with images of despair and is interfering with the image of the true God.[16]
In Vala, or The Four Zoas, Urizen was said to have been born as the son of Albion and Vala, and is the fourth son. He was made the leader of Heaven's host and commanded the material sun. The work also describes his fall. Urizen appears in Jerusalem The Emanation of the Giant Albion in a form similar to the previous works. Urizen is the organiser of the universe while Los is the forger. He creates Natural Religion, and, in his returned form after Albion awakes, he is a farmerPtah is an Egyptian creator god who existed before all other things and, by his will, thought the world into existence. It was first conceived by Thought, and realized by the Word: Ptah conceives the world by the thought of his heart and gives life through the magic of his Word. That which Ptah commanded was created, with which the constituents of nature, fauna, and flora, are contained. He also plays a role in the preservation of the world and the permanence of the royal function.
In the Twenty-Fifth Dynasty, the Nubian pharaoh Shabaka would transcribe on a stela known as the Shabaka Stone, an old theological document found in the archives of the library of the temple of the god at Memphis. This document has been known as the Memphite Theology, and shows the god Ptah, the deity responsible for the creation of the universe by thought and by the word.
Ptah is the patron of craftsmanship, metalworking, carpenters, shipbuilders, and sculpture.
Like many deities of ancient Egypt he takes many forms, through one of his particular aspects or through syncretism of ancient deities of the Memphite region. Sometimes represented as a dwarf, naked and deformed, his popularity would continue to grow during the Late Period. Frequently associated with the god Bes, his worship then moved beyond the borders of Egypt and was exported throughout the eastern Mediterranean. Through dissemination by the Phoenicians, we find figures of Ptah in Carthage.
Ptah is generally represented in the guise of a man with green skin, contained in a shroud sticking to the skin, wearing the divine beard, and holding a sceptre combining three powerful symbols of ancient Egyptian religion:
These three combined symbols indicate the three creative powers of the god: power (was), life (ankh) and stability (djed).
From the Old Kingdom, he quickly absorbs the appearance of Sokar and Tatenen, ancient deities of the Memphite region. His form of Sokar is found contained in its white shroud wearing the Atef crown, an attribute of Osiris. In this capacity, he represents the patron deity of the necropolis of Saqqara and other famous sites where the royal pyramids were built. Gradually he formed with Osiris a new deity called Ptah-Sokar-Osiris. Statuettes representing the human form, the half-human, half-hawk form, or simply the pure falcon form of the new deity began to be systematically placed in tombs to accompany and protect the dead on their journey to the West.
His Tatenen form is represented by a young and vigorous man wearing a crown with two tall plumes that surround the solar disk. He thus embodies the underground fire that rumbles and raises the earth. As such, he was particularly revered by metalworkers and blacksmiths, but he was equally feared because it was he who caused earthquakes and tremors of the earth's crust. In this form also, Ptah is the master of ceremonies for Heb Sed, a ceremony traditionally attesting to the first thirty years of a pharaoh's reign.
The god Ptah could correspond with the sun deities Re or Aten during the Amarna period, where he embodied the divine essence with which the sun god was fed to come into existence, that is to say to be born, according to the Memphite mythological/theological texts. In the holy of holies of his temple in Memphis, as well as in his great sacred boat, he drove in procession to regularly visit the region during major holidays. Ptah was also symbolized by two birds with human heads adorned with solar disks, symbols of the souls of the god Re: the Ba. The two Ba are identified as the twin gods Shu and Tefnut and are associated with the djed pillar of Memphis.[3]
Finally, Ptah is embodied in the sacred bull, Apis. Frequently referred to as a herald of Re, the sacred animal is the link with the god Re from the New Kingdom. He even received worship in Memphis, probably at the heart of the great temple of Ptah, and upon the death of the animal, was buried with all the honours due to a living deity in the Serapeum of Saqqara.
Scholars have also associated Ptah with the Mandaean god Ptahil outside of Egypt due to their somewhat similar features and closely related names.The teaching of the Buddha, among other Four Noble Truths and the beginning of Mahāvagga, is interpreted by Hari Singh Gour as follows:
The Marcionites believed that the visible world is an evil creation of a crude, cruel, jealous, angry demiurge, Yahweh. According to this teaching, people should oppose him, abandon his world, not create people, and trust in the good God of mercy, foreign and distant.[5][6][7]
The Encratites observed that birth leads to death. In order to conquer death, people should desist from procreation: "not produce fresh fodder for death".[8][9][10]
The Manichaeans,[11][12][13] the Bogomils[14][15][16] and the Cathars[17][18][19] believed that procreation sentences the soul to imprisonment in evil matter. They saw procreation as an instrument of an evil god, demiurge, or of Satan that imprisons the divine element in matter and thus causes the divine element to suffer.
These are rings, these bubble looking things are rings. The first thing coming to mind is that this is the Ring of Fire. And what these are, it's like when we collapsed into density and we separated into the membranes, there was a ring of fire we passed through in the Wall in Time. That's what this is it is some kind of, I don't want to say Stargate it's not that, it is something likened to a time portal. But it's a different construct it is a membrane opening between the wall of time. Okay, the membrane between the wall of time between the next universe. What we are starting to understand is the creation of fields of the universal cycles, the cosmic day. There is an understanding that from the center point of the God matrix the source energy, many different creations were spawned in mathematical perfection and formulation and these themes were created in these cosmic days of God.
What I'm looking at here is something very difficult to describe but is the construct that we're connecting to now, which was literally the passing through the Ring of Fire or the passing through the Wall in Time. And this membrane thing that I'm looking at is not a dimension as we know it. It is something I have yet to really discover a word for, as we have discovered through working with membranes and collapsing the different levels of the dimensional time space matrix, in terms of Timelines. This is not that, yet the closest thing I can connect to it is a Wall in Time. It looks like a nebula almost, it's an opening in between the universes in the wall of time. However, the structure that was created is unknown at this time. It is something that has been a part of the lack of structural integrity through the universal time fields. I'm not quite sure how that relates to, a weakness in the universal structure that had at some time been created. It's like we passed through the wall of time.
Whatever this opening is, is a part of the linkage between the multiple universes. I'm not feeling this is the galactic core. It is a link or it's a rip or it's an opening between the universal creations but it's not linking at the core. It's like we came here at one level to attempt to understand what this is. It's not a black-hole.
It reminds me of something that I experienced earlier this year when I started to see the trans-harmonic pillar and the chute of this Wormhole type of structure. And this structure, while you were inside it, was like being in the thickest most unexplainable Plexiglas that you'd ever been in. It was the strangest thing because I was inside this and it could pull me up and down, I could travel in it. And yet looking through it I could see beings and they were saying take me with you, don't leave me here. So I understood that this was some kind of portal in and out of here, that other vibrational genetic life forms are not able to attain, from whatever genetic damage or reason. That being has had an experience and gotten stuck in whatever time space it's in.
And somehow this thing that I'm looking at, this wall in time has created some kind of vibrational mass that is similar. It's creating a split, it's creating a wall it's creating an inability to pass through. And right now I don't understand why. It is like a slice of some kind of material in the universe that has come through and just ... I see Okay. This was the damage from Lyra, this was the damage from some planetary explosion. Okay we're going back into one of the first stair steps into this cosmic day. Meaning that this was one of the creational experiences we had in this particular universal structure. This is going back billions of years this has to do with Lyra, Vega and what's known I believe as Aramatena. There were three planets that were within, I want to say this solar system. This is getting the information to assimilate and see how this comes together.
Two Suns
We had two suns, this was a time where we had two suns. Somehow I'm seeing an orbit with two suns and that was in this universe that was in this structure. This was before this structure imploded on itself and became separate. A planetary body exploded and the logo's and sentient consciousness of that being was projected into part of the realm. This has to do with the lineage of Ra and this is a Rishic level of consciousness that is the Light of the Thousand Suns. This is a consciousness that, the closest I can come to even understanding this would be the God the Sun, like the consciousness of the sun basically.
Some event has created an explosion at that level, at that timeline. This system was made of two suns and one of the suns exploded. This is the metaphor between the son of God, and what I'm getting at is that the original metaphor of the Luciferian light and the light of Source, are coming from this. This consciousness, this sun exploded and became reversed upon it self. I don't want to use the word polarized because that's not accurate, it's literally like it became the negative. As it exploded it went through a black-hole and it reversed on itself and now you had two separations. You had the sun on one side over here and you had a black-hole now on the other side. And that black-hole used to be a sun.
Now for whatever reason as we're looking at this, again it's hard to articulate. I don't want to place judgment or slant in looking at this. Is it the divine plan the fragmentation of consciousness in the experience we had there? That's fine. But it's understanding that now, we are coming into the healing of the split of the two suns.
Understanding that the two suns, it's like the son of God but the sun itself, the son/sun of all light, the sol/soul. This is a consciousness, which is very hard to wrap around at a human level because it isn't human. It's a consciousness it's a God, it's a God consciousness. And it is that of the Great Central Sun, it is that which feeds all life. Something blew up in the time of Lyra, something was destroyed in the time of Lyra. Lyra was a planet, Vega was a planet, Aramatena was a planet. In the three planets something happened one of these planets exploded. I think it's Lyra is that correct? Okay. So when this exploded, this thing that I'm looking at this opening this nebula this ring, is where it went.
This is an opening it's like looking at a suction cup basically, a really long spiral that went in the reverse direction instead of the other direction. It became the negative of itself because it was like inside out. And somehow this happened through an explosion. How and why this explosion was caused is kind of a mystery. But what I'm seeing is that the cause of this universe, in terms of its mechanics and structure, the wall in time that is the split was created from this original event. This universe became I want to say, special. Because it seems at the time when this was witnessed from whatever level of consciousness we can even imagine to ascertain this, something that had never happened before, happened.
And so in a sense we could say even though much experience and levels of fragmentation and distortion happened through this explosion and split through the wall of time, it's like looking at this original seed event. It's understanding, what I'm seeing is the link of all fractal time-space in the seed in the original seed and spark of creation of this universe, is that the same thing happened to the earth at the same time this went on. It all happened at once. So when we understand that the fifth dimensional counterpart of planet earth imploded on itself and exploded into the third dimension as we know it, with the 12 planets in this system. That is a micro level manifestation of this event that I'm describing, which is what they're basically attempting to show us here. This is the understanding of how this universe began, do I want to say in polarity? This word does not seem adequate but I do not have a word to replace it. The two suns separated and these light projections manifested in the cycles of time as we experience it now.
The term monad comes from the Greek feminine noun monas (nominative singular, μονάς), "one unit," where the ending -s in the nominative form resolves to the ending -d in declension.[1]
In some gnostic systems, the Supreme Being is known as the Monad, the One, the Absolute, Aiōn Teleos (the Perfect Aeon, αἰών τέλεος), Bythos (Depth or Profundity, Βυθός), Proarchē (Before the Beginning, προαρχή), Hē Archē (The Beginning, ἡ ἀρχή), the Ineffable Parent, and/or the primal Father.
Prominent Christian gnostics like Valentinus taught that the Monad is the high source of the Pleroma, the region of light constituting "the fullness of the Godhead." Through a process of emanation, various divine entities and realms emerge from the One. Arranged hierarchically, they become progressively degraded due to their remoteness from the Father. The various emanations of the One, totaling thirty in number (or 365, according to Basilides), are called Aeons. Among them exist Jesus (who resides close to the Father) and the lowest emanation, Sophia (wisdom), whose fall results in the creation of the material world.[2]
According to Theodoret's book on heresies (Haereticarum Fabularum Compendium i.18), the Arab Christian Monoimus (c. 150–210) used the term Monad to mean the highest god that created lesser gods, or elements (similar to Aeons). In some versions of Christian gnosticism, especially those deriving from Valentinius, a lesser deity known as the Demiurge had a role in the creation of the material world separate from the Monad. In these forms of gnosticism, the God of the Old Testament, Yahweh, is often considered to have been the Demiurge, not the Monad,[3] or sometimes different passages are interpreted as referring to each.
Apocryphon of John, written c. 180, gives the following description:
The Monad is a monarchy with nothing above it. It is he who exists as God and Father of everything, the invisible One who is above everything, who exists as incorruption, which is in the pure light into which no eye can look. “He is the invisible Spirit, of whom it is not right to think of him as a god, or something similar. For he is more than a god, since there is nothing above him, for no one lords it over him. For he does not exist in something inferior to him, since everything exists in him. For it is he who establishes himself. He is eternal, since he does not need anything. For he is total perfection.[4] A being can have a relationship with a God but not the Monad as that would be a contradiction.