"I reside in Zohar. I am the beginning and the end. The first and the last."
"Long ago, a 'modifier', or a pseudo-perpetual,
infinite-energy engine was created. That engine was named 'Zohar'. That
reactor was created by an ancient people from another planet to attain
what is considered to be the ultimate energy possible within this
four-dimensional universe. Eventually, those people used that same
engine to create the inter-planetary invasion weapon, 'Deus'... Zohar
was used as its primary source of power. But the unexpected happened...
During the connection tests of Zohar with the newly completed Deus, the
engine started to examine infinite potential phenomena... Requiring
energy, the engine connected this dimension to the higher dimensional
space. As a result, that reactor 'merged' or 'synchronized' with the
wave existence in that higher dimension... ME. I descended from the
point of contact created by the machines through the 'Path of Sephirot',
or the domain you are in right now, and incarnated in the
four-dimensional world. After I 'Advented' to the four-dimensional
world, in order to stabilize myself here, I had to exchange, or
materialize, my form and enter into the 'modifier' engine. In other
words, I became bound in Zohar. I have always wanted to return to my own
dimension... And I came to a conclusion. I had to reverse the process. I
went through to arrive here. I must be released by the one who
installed within me a special feature of this dimension-the 'will'...
that one is you."
"Yes. My will was incarnated through a bio-computer which
was vital for Deus. After combining with me, the bio-computer evolved
its functions and that bio-plant generated a central element. That is
her. I was split by your contact. My physical form of flesh stayed in
Zohar, while my will went into Elhaym and my power went into you. That's
why I waited to unite with you. And now, it is fulfilled. My only
remaining desire is to break this 'cage of fleshly existence'... In
order to do that, I must become perfect by combining with Elhaym, as
well as my other physical form, 'Deus'. The only way to return to my
original dimension is to destroy this physical body. In the
four-dimensional world, Zohar is perfect, so in order to destroy Zohar I
need the strength that was attributed to you... Zohar can only be
destroyed by the hands of the Contact."
"Zohar and Deus are one. She is bound to the system by
another's will to become one with me. In order to release her, it is
necessary to destroy that very system that serves as the Deus weapon...
However, having been created as a weapon, the Deus system seeks to unify
itself with all of you for a different purpose than that of mine.
Originally, her release would have been performed by me, the one who
desires to return to the higher dimension... But, I am also bound to the
system as she is, so I am unable to participate. You are the only one
who can release her from the spell. Just as Deus and I are inseparable,
you and her are also inseparable."
Georges Dumézil's trifunctional hypothesis proposed that ancient Indo-European society conceived itself as structured around three activities: worship, war, and toil.
In later times, when slave labor became common, the three functions
came to be seen as separate "classes", represented each by its own god.
Dumézil understood this mythology as reflecting and validating social
structures in its content: such a tripartite class system is found in
ancient Indian, Iranian, Greek and Celtic texts. In 1970, Dumézil
proposed that some goddesses represented these three qualities as
different aspects or epithets and identified examples in his
interpretation of various deities including the Iranian Anāhitā, the Vedic Sarasvatī and the Roman Juno.
Vesna Petreska posits that myths including trinities of female
mythical beings from Central and Eastern European cultures may be
evidence for an Indo-European belief in trimutive female "spinners" of destiny. But according to the linguist M. L. West,
various female deities and mythological figures in Europe show the
influence of pre-Indo-European goddess-worship, and triple female fate
divinities, typically "spinners" of destiny, are attested all over Europe and in Bronze Age Anatolia
Qudshu-Astarte-Anat is a representation of a single goddess who is a combination of three goddesses: Qetesh (Athirat "Asherah"), Astarte, and Anat.
It was a common practice for Canaanites and Egyptians to merge
different deities through a process of syncretization, thereby, turning
them into one single entity. This "Triple Goddess Stone", once owned by
Winchester College, shows the goddess Qetesh with the inscription
"Qudshu-Astarte-Anat", showing their association as being one goddess,
and Qetesh (Qudshu) in place of Athirat.
Religious scholar Saul M. Olyan (author of Asherah and the Cult of Yahweh in Israel),
calls the representation on the Qudshu-Astarte-Anat plaque "a
triple-fusion hypostasis", and considers Qudshu to be an epithet of
Athirat by a process of elimination, for Astarte and Anat appear after
Qudshu in the inscription.
The Roman goddess Diana was venerated from the late sixth century BC as diva triformis, "three-form goddess", and early on was conflated with the similarly-depicted Greek goddess Hekate. Andreas Alföldi
interpreted a late Republican numismatic image as Diana "conceived as a
threefold unity of the divine huntress, the Moon goddess and the
goddess of the nether world, Hekate". This coin shows that the triple goddess cult image still stood in the lucus of Nemi in 43 BC. The Lake of Nemi was Triviae lacus for Virgil (Aeneid 7.516), while Horace called Diana montium custos nemoremque virgo ("keeper of the mountains and virgin of Nemi") and diva triformis ("three-form goddess"). In his commentary on Virgil, Maurus Servius Honoratus said that the same goddess was called Luna in heaven, Diana on earth, and Proserpina in hell.
Spells and hymns in Greek magical papyri refer to the goddess (called Hecate, Persephone, and Selene,
among other names) as "triple-sounding, triple-headed,
triple-voiced..., triple-pointed, triple-faced, triple-necked". In one
hymn, for instance, the "Three-faced Selene" is simultaneously
identified as the three Charites, the three Moirai, and the three Erinyes; she is further addressed by the titles of several goddesses. Translation editor Hans Dieter Betz
notes: "The goddess Hekate, identical with Persephone, Selene, Artemis,
and the old Babylonian goddess Ereschigal, is one of the deities most
often invoked in the papyri."
E. Cobham Brewer's 1894 Dictionary of Phrase & Fable contained the entry, "Hecate: A triple deity, called Phoebe or the Moon in heaven, Diana on the earth, and Hecate or Proserpine in hell," and noted that "Chinese have the triple goddess Pussa". The Roman poet Ovid, through the character of the Greek woman Medea, refers to Hecate as "the triple Goddess"; the earlier Greek poet Hesiod represents her as a threefold goddess, with a share in earth, sea, and starry heavens.
Hecate was depicted variously as a single womanly form; as three women
back-to-back; as a three-headed woman, sometimes with the heads of
animals; or as three upper bodies of women springing from a single lower
body ("we see three heads and shoulders and six hands, but the lower
part of her body is single, and closely resembles that of the Ephesian
Artemis").
The Olympian demiurgic triad in platonic philosophy, made up of Zeus (considered the Zeus [king of the gods] of the Heavens), Poseidon (Zeus of the seas) and Pluto/Hades (Zeus of the underworld), all considered in the end to be a monad and the same Zeus, and the Titanic demiurgic triad of Helios (sun when in the sky), Apollo (sun seen in our world) and Dionysus (god of mysteries, "sun" of the underworld) (as can be seen on Plato's Phaed on the myth Dionysus and the Titans)
The Gnostic text Trimorphic Protennoia presents a threefold discourse of the three forms of Divine Thought: the Father, the Son, and the Mother (Sophia).
Carl Jung linked the figure of Sophia to the highest archetype of the anima in depth psychology.
The archetypal fall and recovery of Sophia is additionally linked (to a
varying degree) to many different myths and stories (see damsel in distress). Among these are:
Isis, who while still in the cosmic womb, brings forth the flawed Elder Horus without a consort
The rescue of the kidnapped Sita by her husband, the god-king Rama, with the help of Hanuman in the Ramayana
Note that many of these myths have alternative psychological interpretations. For example, Jungian psychologist Marie-Louise von Franz interpreted fairy tales like Sleeping Beauty as symbolizing the 'rescue' or reintegration of the anima, the more 'feminine' part of a man's unconscious, but not wisdom or sophia per se
Horus or Her, Heru, Hor in Ancient Egyptian, is one of the most significant ancient Egyptian deities who served many functions, most notably god of kingship and the sky. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom and Roman Egypt. Different forms of Horus are recorded in history and these are treated as distinct gods by Egyptologists. These various forms may possibly be different manifestations of the same multi-layered deity in which certain attributes or syncretic
relationships are emphasized, not necessarily in opposition but
complementary to one another, consistent with how the Ancient Egyptians
viewed the multiple facets of reality. He was most often depicted as a falcon, most likely a lanner falcon or peregrine falcon, or as a man with a falcon head.
The earliest recorded form of Horus is the tutelary deity of Nekhen in Upper Egypt, who is the first known national god, specifically related to the ruling pharaoh who in time came to be regarded as a manifestation of Horus in life and Osiris in death. The most commonly encountered family relationship describes Horus as the son of Isis and Osiris, and he plays a key role in the Osiris myth as Osiris's heir and the rival to Set, the murderer and brother of Osiris. In another tradition Hathor is regarded as his mother and sometimes as his wife.
The Pyramid Texts (c. 2400–2300 BC) describe the nature of the pharaoh
in different characters as both Horus and Osiris. The pharaoh as Horus
in life became the pharaoh as Osiris in death, where he was united with
the other gods. New incarnations of Horus succeeded the deceased pharaoh
on earth in the form of new pharaohs.
The lineage of Horus, the eventual product of unions between the children of Atum,
may have been a means to explain and justify pharaonic power. The gods
produced by Atum were all representative of cosmic and terrestrial
forces in Egyptian life. By identifying Horus as the offspring of these
forces, then identifying him with Atum himself, and finally identifying
the Pharaoh with Horus, the Pharaoh theologically had dominion over all
the world.
The notion of Horus as the pharaoh seems to have been superseded by the concept of the pharaoh as the son of Ra during the Fifth Dynasty.
Horus was born to the goddess Isis after she retrieved all the
dismembered body parts of her murdered husband Osiris, except his penis, which was thrown into the Nile and eaten by a catfish, or sometimes depicted as instead by a crab, and according to Plutarch's account used her magic powers to resurrect Osiris and fashion a phallus to conceive her son (older Egyptian accounts have the penis of Osiris surviving).
After becoming pregnant with Horus, Isis fled to the Nile Delta marshlands to hide from her brother Set, who jealously killed Osiris and who she knew would want to kill their son. There Isis bore a divine son, Horus.
A True Story (Ancient Greek: Ἀληθῆ διηγήματα, Alēthē diēgēmata; Latin: Vera Historia or Latin: Verae Historiae) is a novel written in the second century AD by Lucian of Samosata, a Greek-speaking author of Assyrian descent. The novel is a satire of outlandish tales which had been reported in ancient sources, particularly those which presented fantastic or mythical events as if they were true. It is Lucian's best-known work.
It is the earliest known work of fiction to include travel to outer space, alien lifeforms, and interplanetary warfare. As such, A True Story has been described as "the first known text that could be called science fiction". However the work does not fit into typical literary genres: its multilayered plot and characters have been interpreted as science fiction, fantasy, satire or parody, and have been the subject of much scholarly debate.
The novel begins with an explanation that the story is not at all
"true" and that everything in it is, in fact, a complete and utter lie. The narrative begins with Lucian and his fellow travelers journeying out past the Pillars of Heracles. Blown off course by a storm, they come to an island with a river of wine filled with fish and bears, a marker indicating that Heracles and Dionysus have traveled to this point, and trees that look like women. Shortly after leaving the island, they are caught up by a whirlwind and taken to the Moon, where they find themselves embroiled in a full-scale war between the king of the Moon and the king of the Sun over colonization of the Morning Star. Both armies include bizarre hybrid lifeforms. The armies of the Sun win the war by clouding over the Moon and blocking out the Sun's light. Both parties then come to a peace agreement. Lucian then describes life on the Moon and how it is different from life on Earth.
After returning to Earth, the adventurers are swallowed by a 200-mile-long (320 km) whale, in whose belly they discover a variety of fish people, whom they wage war against and triumph over. They kill the whale by starting a bonfire and escape by propping its mouth open. Next, they encounter a sea of milk, an island of cheese, and the Island of the Blessed. There, Lucian meets the heroes of the Trojan War, other mythical men and animals, as well as Homer and Pythagoras. They find sinners being punished, the worst of them being the ones who had written books with lies and fantasies, including Herodotus and Ctesias. After leaving the Island of the Blessed, they deliver a letter to Calypso given to them by Odysseus explaining that he wishes he had stayed with her so he could have lived eternally. They then discover a chasm in the ocean, but eventually sail around it, discover a far-off continent and decide to explore it. The book ends abruptly with Lucian stating that their future adventures will be described in the upcoming sequels, a promise which a disappointed scholiast described as "the biggest lie of all"
The Tale of the Bamboo Cutter (竹取物語 Taketori Monogatari) is a 10th-century Japanese monogatari (fictional prose narrative) containing Japanese folklore. It is considered the oldest extant Japanese prose narrative although the oldest manuscript dates to 1592.
The tale is also known as The Tale of Princess Kaguya (かぐや姫の物語 Kaguya-hime no Monogatari), after its protagonist. It primarily details the life of a mysterious girl called Kaguya, who was discovered as a baby inside the stalk of a glowing bamboo plant.
That summer, whenever Kaguya-hime saw the full moon, her eyes filled
with tears. Though her adoptive parents worried greatly and questioned
her, she was unable to tell them what was wrong. Her behaviour became
increasingly erratic until she revealed that she was not of this world
and must return to her people on the Moon. In some versions of this
tale, it is said that she was sent to the Earth, where she would
inevitably form material attachment, as a temporary punishment
for some crime, while in others, she was sent to Earth for her own
safety during a celestial war. The gold that Taketori no Okina had been
finding had in fact been a stipend from the people of the Moon, sent down to pay for Kaguya-hime's upkeep.
Kaguya-hime goes back to the Moon
As the day of her return approached, the Emperor sent many guards
around her house to protect her from the Moon people, but when an
embassy of "Heavenly Beings" arrived at the door of Taketori no Okina's
house, the guards were blinded by a strange light. Kaguya-hime announced
that, though she loved her many friends on Earth, she must return with
the Moon people to her true home. She wrote sad notes of apology to her
parents and to the Emperor, then gave her parents her own robe as a
memento. She then took a little of the elixir of life,
attached it to her letter to the Emperor, and gave it to a guard
officer. As she handed it to him, her feather robe was placed on her
shoulders, and all of her sadness and compassion for the people of the
Earth were apparently forgotten. The heavenly entourage took Kaguya-hime
back to Tsuki no Miyako (月の都; lit. "the Capital of the Moon"), leaving her earthly foster parents in tears.
The receding Princess
The parents became very sad and were soon put to bed sick. The
officer returned to the Emperor with the items Kaguya-hime had given him
as her last mortal act, and reported what had happened. The Emperor
read her letter and was overcome with sadness. He asked his servants,
"Which mountain is the closest place to Heaven?", to which one replied the Great Mountain of Suruga Province.
The Emperor ordered his men to take the letter to the summit of the
mountain and burn it, in the hope that his message would reach the
distant princess. The men were also commanded to burn the elixir of
immortality since the Emperor did not wish to live forever without being
able to see her. The legend has it that the word immortality, 不死 (fushi), became the name of the mountain, Mount Fuji. It is also said that the kanji
for the mountain, 富士山 (literally "Mountain Abounding with Warriors"),
are derived from the Emperor's army ascending the slopes of the mountain
to carry out his order. It is said that the smoke from the burning
still rises to this day. (In the past, Mount Fuji was much more
volcanically active and therefore produced more smoke.)
The narrator finds his way into a subterranean world occupied by
beings who seem to resemble angels. He befriends the first being he
meets, who guides him around a city that is reminiscent of ancient
Egyptian architecture. The explorer meets his host's wife, two sons and
daughter who learn to speak English by way of a makeshift dictionary
during which the narrator unconsciously teaches them the language. His
guide comes towards him, and he and his daughter, Zee, explain who they
are and how they function.
The hero discovers that these beings, who call themselves
Vril-ya, have great telepathic and other parapsychological abilities,
such as being able to transmit information, get rid of pain, and put others to sleep.
The narrator is offended by the idea that the Vril-ya are better
adapted to learn about him than he is to learn about them. Nevertheless,
the guide (who turns out to be a magistrate) and his son Taee behave
kindly towards him.
The narrator soon discovers that the Vril-ya are descendants of an antediluvian
civilization called the Ana, who live in networks of caverns linked by
tunnels. Originally surface dwellers, they fled underground thousands of
years ago to escape a massive flood and gained greater power by facing
and dominating the harsh conditions of the Earth. The place where the
narrator descended houses 12,000 families, one of the largest groups.
Their society is a technologically supported Utopia, chief among their
tools being an "all-permeating fluid" called "Vril", a latent source of
energy that the spiritually elevated hosts are able to master through
training of their will, to a degree that depends on their hereditary
constitution. This mastery gives them access to an extraordinary force
that can be controlled at will. It is this fluid that the Vril-ya employ
to communicate with the narrator. The powers of the Vril includes the
ability to heal, change, and destroy beings and things; the destructive
powers in particular are immense, allowing a few young Vril-ya children
to destroy entire cities if necessary.
"I did not mean Vril for mesmerism, but for electricity, developed
into uses as yet only dimly guessed, and including whatever there may be
genuine in mesmerism, which I hold to be a mere branch current of the
one great fluid pervading all nature. I am by no means, however, wedded
to Vril, if you can suggest anything else to carry out this meaning
namely, that the coming race, though akin to us, has nevertheless
acquired by hereditary transmission, etc., certain distinctions which
make it a different species, and contains powers which we could not
attain to through a slow growth of time; so that this race would not
amalgamate with, but destroy us. [...]
Now, as some bodies are charged with electricity like the torpedo
or electric eel, and never can communicate that power to other bodies,
so I suppose the existence of a race charged with that electricity and
having acquired the art to concentre and direct it in a word, to be
conductors of its lightnings. If you can suggest any other idea of
carrying out that idea of a destroying race, I should be glad. Probably
even the notion of Vril might be more cleared from mysticism or
mesmerism by being simply defined to be electricity and conducted by
those staves or rods, omitting all about mesmeric passes, etc."
The Qlippoth is the Negative Form shell and/ or Imposter Spirit negative force of the Sephiroth, sends off the work to the rest of the Qlippoth, gives energy to the Qlippoth, the source of power and its force as in its Miasma, which acts as a generator of the same force. Simply, these are the Dead Light forces of the Shadow Self and their spiritual-energetic qualities.
The Adverse Sephiroth or the Qlippoth is the dimensional location that Fallen Angelics hierarchies and the Satanic and Luciferian forces exist. On the path of Ascension our goal is to face the Shadow Self
and the demons it associates, and to purify our body and consciousness
from its control over us. This is why we must not fear these lower
forces, but not give our power to them either, as they are tricksters
and deceivers. They are also known as the “Evil Demons of Matter and the
Shells of the Dead".
Thus, Judaism's Kabbalah and the Artificial Tree of Life is based on the inverted teachings intentionally given by the Thothian groups to generate reversals in the knowledge given in the original Founder Records, and this is overseen and administered by the Yahweh Collective located on Saturn. The Kabbalah esoteric information was brought through in pieces from distorted Patriarchal Melchizedek intelligence that had been captured and reverse engineered, through their original knowledge of the Universal Tree of Life and the quantum mechanics that are included in the 12 holographic plates of the Emerald Founder Records.
The nodes are usually represented as spheres called Sephiroth
and the lines are usually represented as paths. The nodes usually
represent encompassing aspects of existence, God, or the human
psyche.The lines usually represent the relationship between the concepts
ascribed to the spheres or a symbolic description of the requirements
to go from one sphere to another. The nodes are also associated to
deities, angels, celestial bodies, values, single colors or combinations
of them, and specific numbers. The columns are usually symbolized as
pillars. These pillars usually represent different kinds of values,
electric charges, or types of ceremonial magic.It is usually referred to
as the Kabbalistic tree of life in order to distinguish it from other
concepts with the same name.
In the Jewish Kabbalah, the nodes representing dimensional spheres are called Sephiroth.
The diagram is also used by Christian Cabbala, Hermetic Qabalah and
Theosophy. The diagram is believed to be derivable from the flower of
life. Kabbalistic experts state the tree represents a series of divine
emanations of God's creation itself ex nihilo (out of nothing), the
nature of revealed divinity, the human soul, and the spiritual path of
ascent by man. In this way, Kabbalists developed the symbol into a full
model of reality, using the tree to depict a map of creation.
Yahweh Collective
From the Guardian perspective the Sephiroth, meaning emanations, are the 10 attributes of God as described in the Kabbalah Tree of Life, which is a part of the esoteric teaching of Judaism. Judaism's Kabbalah is based on the teachings given by the Yahweh Collective located on Saturn. The Kabbalah brought through pieces of Melchizedek intelligence through the knowledge of the Universal Tree of Life.
Due to patriarchal distortions brought through the hidden Negative
Alien invasion, the tree of life was disfigured to ten spheres instead
of the original mathematical base of twelve. The Kabbalah tree of life
represents the distorted 10D base code genetic blueprint of the black
sun regressive lineages. Melchizedeks
returning to the earth field at the end of the cycle, are attempting to
correct and rebuild the distorted Tree of Life back to its correct
formula base 12. Metatronic Reversal of the shadow body that is created from this distorted organizational template is called the Black Tree of Life. The 12 Tree Grid
is the base holographic instruction set that corrects the continuing
spiritual progression for all manifest forms to achieve ascension
through an evolving twelve dimensional body.
Previous to the Atlantian Cataclysm, each of the groups of the angelic human 12 Essene Tribes were entrusted as Guardians of a section of the Emerald Founder Records,
which held extensive consciousness knowledge about the star origins and
genetic template information that was recorded on 12 holographic discs.
The Hibiru Tribes are the higher dimensional genetic coding of the Melchizedek's that were given the responsibility to help rehabilitate hybridization damage during the last evolutionary cycle after the Nephilim
Wars approximately 75,000 years ago. The Melchizedek Hosting began
approximately 35,000 years ago and ended in this Ascension cycle, on
December 21, 2012. Krystal Star hosting began and is currently in transition to repair and rehabilitate the planetary body to its original architecture, the Diamond Sun Body and Silicate Matrix genetic code that makes up the original Universal Tree of Life.
There are 12 Tribes which make up the entirety of the collective
human gene pool on this planet. This identity has had many lifetimes and
participated with the evolution cycles of the Root Races
throughout the astrological precessions. The genetic modification of
the 12 Human Tribes occurred when the assorted Aliens decided to have a
competing agenda on writing their genetic codes into the planetary brain and Stargate system, as well as intending Alien Hybridization on the earth.
However, the original 12 Tribes were created as a part of the plan that became the Covenant of Paliador to rescue the lost Souls of Tara, which would be made easier when the gates opened during the Ascension Cycle.
In rabbinic literature Lilith is variously depicted as the mother of Adam’s demonic offspring following his separation from Eve or as his first wife. Whereas Eve was created from Adam’s rib (Genesis
2:22), some accounts hold that Lilith was the woman implied in Genesis
1:27 and was made from the same soil as Adam. Insolently refusing to be
subservient to her husband, Lilith left Adam and the perfection of the Garden of Eden; three angels tried in vain to force her return. According to some mythologies, her demonic offspring were sired by an archangel named Samael and were not Adam’s progeny. Those children are sometimes identified as incubi and succubi.
"Isis, who while still in the cosmic womb, brings forth the flawed Elder Horus without a consort"
"Horus was born to the goddess Isis after she retrieved all the
dismembered body parts of her murdered husband Osiris, except his penis,
which was thrown into the Nile and eaten by a catfish, or sometimes
depicted as instead by a crab, and according to Plutarch's account used
her magic powers to resurrect Osiris and fashion a phallus to conceive
her son (older Egyptian accounts have the penis of Osiris surviving)."
"The Christos Sophia body was split into many Negative Forms of itself
to which these forms were captured and used by the lower material forces
of Satanism and Luciferianism. Her fallen body parts were used to
impregnate her with grotesque creations, such as the Archon parasites
for the use of these lower spirits. These anomalies were made as a part
of her fragmented consciousness but to which she had no control over
their use or direction. When these splits in her consciousness body
occurred, she fragmented into the earth elemental matter and lost her
Christos body. Hence, she was fallen and trapped in matter.
This part of the Christos-Sophia's fallen consciousness is called the
Achamoth. The subsequent impregnated creations that are enmeshed in the
negative form body is mixed with Fallen Angelics and earthly forces,
this is called the Baphomet field."
"It is for this reason, Christos repeatedly returns to the earth to help
to reclaim Sophia's body parts which when made whole again, will allow
her to return to the Godhead."
One of the favorite subjects for
romance in ancient days was the love of gods for mortal women. That the gods
were at times inclined to visit favored ladies was believed by all credulous
folk -- and nearly all men were credulous in those days!
By the time that Greek mythology
had reached the earliest stage that has survived for our study,
we find that there is already a bewildering array
of virgin goddesses.
Many of these goddesses were
eventually identified with each other, and said to be merely the same person
under different names; but others always remained distinct.
When we come to Roman times we
meet with many new names of goddess mothers, some of which are undoubtedly
synonyms for the earlier Greek divinities, though others are distinct from them.Some of these were virgin mothers of mortals; others were ordinary mothers
of the immortals.
Among these Greek and Roman
names -- of which severalare really
synonymous -- are Artemis, Iphigenia, Athena, Pallas, Here, Juno, Agdistis,
Cybele, and Rhea. The last-named is identifiable with Agdistis and with Cybele,
and was known as "The Mother of Zeus," "The Mother of the Gods," and "The Great
Mother."
We need not consider here the
details of the myths connected with such goddesses we have not
already referred to, since it is with human mothers of "God" that we are
now more concerned with. We have already noted how familiar the ancients
were with miraculous birth stories.
It is not necessary in this
brief survey of the best-known miraculous birth stories, to refer to the births
of demi-gods and mortal heroes from mortal women and gods -- or from goddesses and
mortal men -- where such births were not miraculous in any other respect than as
being the result of a union betweena mortal and an immortal.
But the fact that this title of
"The Mother of God," so familiar to the pagans, was transferred to the
Messiah's mother Mary should
not be overlooked. When in later years Catholics began to worshipMary as
"The Mother of God," it caused great scandal among those (many of them devout
Christians but convinced monotheists) to whom the notion of God having a
human mother, or indeed a mother ofany kind, was most abhorrent.
As civilization advanced, the
new "Mother of God" was pictured as a more refined being than the old
"Mother of the god
I form the light, and create darkness: I make peace, and create evil: I the Lord do all these things.
Job 1:6
Now there was a day when the sons of God came to present themselves before the Lord, and Satan came also among them.
And the Lord said unto Satan, Whence comest thou? Then Satan answered
the Lord, and said, From going to and fro in the earth, and from walking
up and down in it.
And the Lord said unto Satan, Hast thou considered my servant Job, that
there is none like him in the earth, a perfect and an upright man, one
that feareth God, and escheweth evil?
Then Satan answered the Lord, and said, Doth Job fear God for nought?
Hast not thou made an hedge about him, and about his house, and about
all that he hath on every side? thou hast blessed the work of his hands,
and his substance is increased in the land. But put forth thine hand
now, and touch all that he hath, and he will curse thee to thy face. And
the Lord said unto Satan, Behold, all that he hath is in thy power;
only upon himself put not forth thine hand. So Satan went forth from the
presence of the Lord.
1 Kings 22
21
And there came forth a spirit, and stood before the Lord, and said, I will persuade him.
22 And the Lord said unto him, Wherewith? And he said, I will go forth,
and I will be a lying spirit in the mouth of all his prophets. And he
said, Thou shalt persuade him, and prevail also: go forth, and do so.
Mastema (Hebrew: מַשְׂטֵמָה Mastēmāh; Ge'ez: መሰቴማ Mesetēma) is an angel
who persecutes evil in the Book of Jubilees. He carries out punishments
for God, as well
"You made Belial for the pit, angel of enmity; in
darkness is his domain, his counsel is to bring about wickedness and
guilt. All the spirits of his lot are angels of destruction, they walk
in the laws of darkness; towards it goes their only desire."
In the Rules of the Community, God is depicted as saying, "I
shall not comfort the oppressed until their path is perfect. I shall not
retain Belial within my heart."
Yemoja (Yoruba: Yemọja) is a major water deity from the Yoruba religion. She is an orisha. She is often syncretized with either Our Lady of Regla
in the afrocuban diaspora or various other Virgin Mary figures of the
Catholic Church, a practice that emerged during the era of the Trans-Atlantic slave trade.
Yemoja is motherly and strongly protective, and cares deeply for all
her children, comforting them and cleansing them of sorrow. She is said
to be able to cure infertility in women, and cowrie shells represent her
wealth. She does not easily lose her temper, but when angered she can
be quite destructive and violent, as the flood waters of turbulent
rivers.
Yemoja is often depicted as a mermaid, and is associated with the
moon (in some Diaspora
communities), water, and feminine mysteries. She is the protector of
women. She governs everything pertaining to women; childbirth,
conception, parenting, child safety, love, and healing. According to
myth, when her waters broke, it caused a great flood creating rivers and
streams and the first mortal humans were created from her womb.
And so of course it was the Anunnaki who created coffee, originally
intending it to serve as fuel for their mine workers (who were, in fact,
proto-genetic hybrid humans). And this creation was their undoing.
Puzzling evidence that proves my case:
-Coffea arabica is a hybrid, which appeared in Ethiopia. It’s
supposed “parents” (Coffea canephora or “Robusta” and Coffea
eugenioides) are not even from Ethiopia. Are we supposed to believe that
a west African coffee species flew by itself across a continent to mate with another species? Or was it flown there? And if then, by who? And why?
-Arabica is an allotetraploid. According to Biology Online,
“Allotetraploids are created as a result of both chromosome sets of
both parents being present in gametes.” To put it in layman’s terms,
this means arabica must be some kind of genetic mutant created by an
intelligent plant breeder.
-Coffee is uniquely suited to make humans better, more productive
workers. It stimulates the intellect and makes drinkers more alert while
promoting stamina. Coffee is an ancient, high technology performance
enhancer.
The coffee drug, known as KHWH to the ancient aliens, was
administered to the Anunnaki’s proto-genetic human mine workers in a
variety of ways. All evidence points to milk from genetically engineered
bovine herds (cows) as well as purified powdered carbs (sugar) to
provide energy and protein to the workers’ systems. It was, in many
ways, the perfect system for maximizing labor for the construction of
ancient temples and landing strips, and you know what? COFFEE IS STILL
CONSUMED THE SAME WAY TODAY.
Coffee is impossibly complex. Professional tasters detect flavor
notes as disparate as Meyer Lemon, Night Blooming Jasmine, and Prosecco.
This is super-natural, nearly psychedelic flavor complexity, designed
to lure humans into a daily dosing ritual, just as it did for the lost
tribes of Sumer. It is impossible for flavor scientists to duplicate
coffee flavor by any process, and today we go to far ends of the world
to find the most complex and enchanting flavor expressions. But our
journeys to origin today pale in comparison to the galactic road walked
by the Anunnaki, whom, should they ever choose to return, I for one
would welcome as our new overlords.
Renaissance humanism was a revival in the study of classical antiquity, at first in Italy and then spreading across Western Europe in the 14th, 15th, and 16th centuries. The term humanism is contemporary to that period, while Renaissance humanism is a retronym used to distinguish it from later humanist developments.
A retronym is a newer name
for an existing thing that differentiates the original form or version
from a more recent one. It is thus a word or phrase created to
differentiate between two types, whereas previously (before there were
two types) no clarification was required.
Early Italian humanism, which in many respects continued
the grammatical and rhetorical traditions of the Middle Ages, not merely
provided the old Trivium with a new and more ambitious name (Studia humanitatis),
but also increased its actual scope, content and significance in the
curriculum of the schools and universities and in its own extensive
literary production. The studia humanitatis excluded logic, but they added to the traditional grammar and rhetoric not only history, Greek,
and moral philosophy, but also made poetry, once a sequel of grammar
and rhetoric, the most important member of the whole group.
Humanism was a pervasive cultural mode and not the program of a small
elite, a program to revive the cultural legacy, literary legacy, and
moral philosophy of classical antiquity. There were important centres of
humanism in Florence, Naples, Rome, Venice, Genoa, Mantua, Ferrara, and Urbino.
In Italy, the humanist educational program won rapid acceptance and, by the mid-15th century, many of the upper classes had received humanist educations, possibly in addition to traditional scholastic
ones. Some of the highest officials of the Catholic Church were
humanists with the resources to amass important libraries. Such was CardinalBasilios Bessarion, a convert to the Catholic Church from Greek Orthodoxy, who was considered for the papacy, and was one of the most learned scholars of his time. There were several 15th-century and early 16th-century humanist Popes[4] one of whom, Aeneas Silvius Piccolomini (Pope Pius II), was a prolific author and wrote a treatise on The Education of Boys.[5] These subjects came to be known as the humanities, and the movement which they inspired is shown as humanism.
Many humanists were churchmen, most notably Pope Pius II, Sixtus IV, and Leo X,[9][10] and there was often patronage of humanists by senior church figures.
Much humanist effort went into improving the understanding and
translations of Biblical and early Christian texts, both before and
after the Reformation, which was greatly influenced by the work of
non-Italian, Northern European figures such as Erasmus, Jacques Lefèvre d'Étaples, William Grocyn, and Swedish Catholic Archbishop in exile Olaus Magnus.
Description
The Cambridge Dictionary of Philosophy describes the rationalism of ancient writings as having tremendous impact on Renaissance scholars:
Here, one felt no weight of the
supernatural pressing on the human mind, demanding homage and
allegiance. Humanity—with all its distinct capabilities, talents,
worries, problems, possibilities—was the center of interest. It has been
said that medieval thinkers philosophised on their knees, but,
bolstered by the new studies, they dared to stand up and to rise to full
stature.
The rediscovery of classical philosophy and science would eventually
challenge traditional religious beliefs. In 1417, for example, Poggio Bracciolini discovered the manuscript of Lucretius, De rerum natura, which had been lost for centuries and which contained an explanation of Epicurean doctrine,
though at the time this was not commented on much by Renaissance
scholars, who confined themselves to remarks about Lucretius's grammar
and syntax.
Only in 1564 did French commentator Denys Lambin (1519–72)
announce in the preface to the work that "he regarded Lucretius's
Epicurean ideas as 'fanciful, absurd, and opposed to Christianity'."
Lambin's preface remained standard until the nineteenth century. Epicurus's unacceptable doctrine that pleasure was the highest good "ensured the unpopularity of his philosophy". Lorenzo Valla, however, puts a defense of epicureanism in the mouth of one of the interlocutors of one of his dialogues.
Epicureanism
Charles
Trinkhaus regards Valla's "epicureanism" as a ploy, not seriously meant
by Valla, but designed to refute Stoicism, which he regarded together
with epicureanism as equally inferior to Christianity. Valla's defense, or adaptation, of Epicureanism was later taken up in The Epicurean by Erasmus, the "Prince of humanists:"
If people who live agreeably are Epicureans, none are more truly Epicurean
than the righteous and godly. And if it is names that bother us, no
one better deserves the name of Epicurean than the revered founder and
head of the Christian philosophy Christ, for in Greek epikouros means "helper." He alone, when the law of Nature was all but blotted out by sins, when the law of Moses incited to lists rather than cured them, when Satan
ruled in the world unchallenged, brought timely aid to perishing
humanity. Completely mistaken, therefore, are those who talk in their
foolish fashion about Christ's having been sad and gloomy in character
and calling upon us to follow a dismal mode of life. On the contrary,
he alone shows the most enjoyable life of all and the one most full of
true pleasure.
Saturnalia was the Roman equivalent to the earlier Greek holiday of Kronia, which was celebrated during the Attic month of Hekatombaion in late midsummer. It held theological importance for some Romans, who saw it as a restoration of the ancient Golden Age, when the world was ruled by Saturn. The Neoplatonist philosopher Porphyry
interpreted the freedom associated with Saturnalia as symbolizing the
"freeing of souls into immortality". Saturnalia may have influenced some
of the customs associated with later celebrations in western Europe
occurring in midwinter, particularly traditions associated with Christmas, the Feast of the Holy Innocents, and Epiphany. In particular, the historical western European Christmas custom of electing a "Lord of Misrule" may have its roots in Saturnalia celebrations.
The seven artes magicae or artes prohibitae, arts prohibited by canon law, as expounded by Johannes Hartlieb in 1456, their sevenfold partition reflecting that of the artes liberales and artes mechanicae, were:
"You shall become a horror, a proverb, and a taunt among all the people where the LORD drives you"
This dragon they call 'satan' or "devil" let thoths and his peoples own creations destroy their own masters corrupted civilizations
Mastema (Hebrew: מַשְׂטֵמָה Mastēmāh; Ge'ez: መሰቴማ Mesetēma) is an angel
who persecutes evil in the Book of Jubilees. He carries out punishments
for God, as well
Comments
https://xenosaga.fandom.com/wiki/Zohar_Modifier
Wave Existence on the Zohar
https://en.wikipedia.org/wiki/Triple_deity
Georges Dumézil's trifunctional hypothesis proposed that ancient Indo-European society conceived itself as structured around three activities: worship, war, and toil. In later times, when slave labor became common, the three functions came to be seen as separate "classes", represented each by its own god. Dumézil understood this mythology as reflecting and validating social structures in its content: such a tripartite class system is found in ancient Indian, Iranian, Greek and Celtic texts. In 1970, Dumézil proposed that some goddesses represented these three qualities as different aspects or epithets and identified examples in his interpretation of various deities including the Iranian Anāhitā, the Vedic Sarasvatī and the Roman Juno.
Qudshu-Astarte-Anat is a representation of a single goddess who is a combination of three goddesses: Qetesh (Athirat "Asherah"), Astarte, and Anat. It was a common practice for Canaanites and Egyptians to merge different deities through a process of syncretization, thereby, turning them into one single entity. This "Triple Goddess Stone", once owned by Winchester College, shows the goddess Qetesh with the inscription "Qudshu-Astarte-Anat", showing their association as being one goddess, and Qetesh (Qudshu) in place of Athirat.
Religious scholar Saul M. Olyan (author of Asherah and the Cult of Yahweh in Israel), calls the representation on the Qudshu-Astarte-Anat plaque "a triple-fusion hypostasis", and considers Qudshu to be an epithet of Athirat by a process of elimination, for Astarte and Anat appear after Qudshu in the inscription.The Roman goddess Diana was venerated from the late sixth century BC as diva triformis, "three-form goddess", and early on was conflated with the similarly-depicted Greek goddess Hekate. Andreas Alföldi interpreted a late Republican numismatic image as Diana "conceived as a threefold unity of the divine huntress, the Moon goddess and the goddess of the nether world, Hekate". This coin shows that the triple goddess cult image still stood in the lucus of Nemi in 43 BC. The Lake of Nemi was Triviae lacus for Virgil (Aeneid 7.516), while Horace called Diana montium custos nemoremque virgo ("keeper of the mountains and virgin of Nemi") and diva triformis ("three-form goddess"). In his commentary on Virgil, Maurus Servius Honoratus said that the same goddess was called Luna in heaven, Diana on earth, and Proserpina in hell.
Spells and hymns in Greek magical papyri refer to the goddess (called Hecate, Persephone, and Selene, among other names) as "triple-sounding, triple-headed, triple-voiced..., triple-pointed, triple-faced, triple-necked". In one hymn, for instance, the "Three-faced Selene" is simultaneously identified as the three Charites, the three Moirai, and the three Erinyes; she is further addressed by the titles of several goddesses. Translation editor Hans Dieter Betz notes: "The goddess Hekate, identical with Persephone, Selene, Artemis, and the old Babylonian goddess Ereschigal, is one of the deities most often invoked in the papyri."
E. Cobham Brewer's 1894 Dictionary of Phrase & Fable contained the entry, "Hecate: A triple deity, called Phoebe or the Moon in heaven, Diana on the earth, and Hecate or Proserpine in hell," and noted that "Chinese have the triple goddess Pussa". The Roman poet Ovid, through the character of the Greek woman Medea, refers to Hecate as "the triple Goddess"; the earlier Greek poet Hesiod represents her as a threefold goddess, with a share in earth, sea, and starry heavens. Hecate was depicted variously as a single womanly form; as three women back-to-back; as a three-headed woman, sometimes with the heads of animals; or as three upper bodies of women springing from a single lower body ("we see three heads and shoulders and six hands, but the lower part of her body is single, and closely resembles that of the Ephesian Artemis").
Carl Jung linked the figure of Sophia to the highest archetype of the anima in depth psychology. The archetypal fall and recovery of Sophia is additionally linked (to a varying degree) to many different myths and stories (see damsel in distress). Among these are:
- Isis, who while still in the cosmic womb, brings forth the flawed Elder Horus without a consort
- The abduction and rescue of Helen of Troy
- Persephone and her descent into Hades, from which she returns to life [but is bound to return to Hades for 6 months every year]
- The fall of Eve and the birth of Christ through the Virgin Mary
- The descent of Orpheus into the underworld to rescue his wife, Eurydice
- The return of Odysseus to his kingdom, Ithaca, to reclaim his wife, Penelope
- The rescue of Andromeda by Perseus
- Ishtar's descent to the Underworld, in the Epic of Gilgamesh
- Pandora
- Cinderella and Sleeping Beauty
- The slaying of the Dragon by St. George to rescue the Princess
- The rescue of the kidnapped Sita by her husband, the god-king Rama, with the help of Hanuman in the Ramayana
Note that many of these myths have alternative psychological interpretations. For example, Jungian psychologist Marie-Louise von Franz interpreted fairy tales like Sleeping Beauty as symbolizing the 'rescue' or reintegration of the anima, the more 'feminine' part of a man's unconscious, but not wisdom or sophia per seThe Pyramid Texts (c. 2400–2300 BC) describe the nature of the pharaoh in different characters as both Horus and Osiris. The pharaoh as Horus in life became the pharaoh as Osiris in death, where he was united with the other gods. New incarnations of Horus succeeded the deceased pharaoh on earth in the form of new pharaohs.
The lineage of Horus, the eventual product of unions between the children of Atum, may have been a means to explain and justify pharaonic power. The gods produced by Atum were all representative of cosmic and terrestrial forces in Egyptian life. By identifying Horus as the offspring of these forces, then identifying him with Atum himself, and finally identifying the Pharaoh with Horus, the Pharaoh theologically had dominion over all the world.
The notion of Horus as the pharaoh seems to have been superseded by the concept of the pharaoh as the son of Ra during the Fifth Dynasty.Horus was born to the goddess Isis after she retrieved all the dismembered body parts of her murdered husband Osiris, except his penis, which was thrown into the Nile and eaten by a catfish, or sometimes depicted as instead by a crab, and according to Plutarch's account used her magic powers to resurrect Osiris and fashion a phallus to conceive her son (older Egyptian accounts have the penis of Osiris surviving).
After becoming pregnant with Horus, Isis fled to the Nile Delta marshlands to hide from her brother Set, who jealously killed Osiris and who she knew would want to kill their son. There Isis bore a divine son, Horus.
https://en.wikipedia.org/wiki/Isis#/media/File:MANNapoli_8836_Isis_Fortune_painting.jpg
A True Story (Ancient Greek: Ἀληθῆ διηγήματα, Alēthē diēgēmata; Latin: Vera Historia or Latin: Verae Historiae) is a novel written in the second century AD by Lucian of Samosata, a Greek-speaking author of Assyrian descent. The novel is a satire of outlandish tales which had been reported in ancient sources, particularly those which presented fantastic or mythical events as if they were true. It is Lucian's best-known work.
It is the earliest known work of fiction to include travel to outer space, alien lifeforms, and interplanetary warfare. As such, A True Story has been described as "the first known text that could be called science fiction". However the work does not fit into typical literary genres: its multilayered plot and characters have been interpreted as science fiction, fantasy, satire or parody, and have been the subject of much scholarly debate.
The novel begins with an explanation that the story is not at all "true" and that everything in it is, in fact, a complete and utter lie. The narrative begins with Lucian and his fellow travelers journeying out past the Pillars of Heracles. Blown off course by a storm, they come to an island with a river of wine filled with fish and bears, a marker indicating that Heracles and Dionysus have traveled to this point, and trees that look like women. Shortly after leaving the island, they are caught up by a whirlwind and taken to the Moon, where they find themselves embroiled in a full-scale war between the king of the Moon and the king of the Sun over colonization of the Morning Star. Both armies include bizarre hybrid lifeforms. The armies of the Sun win the war by clouding over the Moon and blocking out the Sun's light. Both parties then come to a peace agreement. Lucian then describes life on the Moon and how it is different from life on Earth.
After returning to Earth, the adventurers are swallowed by a 200-mile-long (320 km) whale, in whose belly they discover a variety of fish people, whom they wage war against and triumph over. They kill the whale by starting a bonfire and escape by propping its mouth open. Next, they encounter a sea of milk, an island of cheese, and the Island of the Blessed. There, Lucian meets the heroes of the Trojan War, other mythical men and animals, as well as Homer and Pythagoras. They find sinners being punished, the worst of them being the ones who had written books with lies and fantasies, including Herodotus and Ctesias. After leaving the Island of the Blessed, they deliver a letter to Calypso given to them by Odysseus explaining that he wishes he had stayed with her so he could have lived eternally. They then discover a chasm in the ocean, but eventually sail around it, discover a far-off continent and decide to explore it. The book ends abruptly with Lucian stating that their future adventures will be described in the upcoming sequels, a promise which a disappointed scholiast described as "the biggest lie of all"The Tale of the Bamboo Cutter (竹取物語 Taketori Monogatari) is a 10th-century Japanese monogatari (fictional prose narrative) containing Japanese folklore. It is considered the oldest extant Japanese prose narrative although the oldest manuscript dates to 1592.
The tale is also known as The Tale of Princess Kaguya (かぐや姫の物語 Kaguya-hime no Monogatari), after its protagonist. It primarily details the life of a mysterious girl called Kaguya, who was discovered as a baby inside the stalk of a glowing bamboo plant.
That summer, whenever Kaguya-hime saw the full moon, her eyes filled with tears. Though her adoptive parents worried greatly and questioned her, she was unable to tell them what was wrong. Her behaviour became increasingly erratic until she revealed that she was not of this world and must return to her people on the Moon. In some versions of this tale, it is said that she was sent to the Earth, where she would inevitably form material attachment, as a temporary punishment for some crime, while in others, she was sent to Earth for her own safety during a celestial war. The gold that Taketori no Okina had been finding had in fact been a stipend from the people of the Moon, sent down to pay for Kaguya-hime's upkeep.
As the day of her return approached, the Emperor sent many guards around her house to protect her from the Moon people, but when an embassy of "Heavenly Beings" arrived at the door of Taketori no Okina's house, the guards were blinded by a strange light. Kaguya-hime announced that, though she loved her many friends on Earth, she must return with the Moon people to her true home. She wrote sad notes of apology to her parents and to the Emperor, then gave her parents her own robe as a memento. She then took a little of the elixir of life, attached it to her letter to the Emperor, and gave it to a guard officer. As she handed it to him, her feather robe was placed on her shoulders, and all of her sadness and compassion for the people of the Earth were apparently forgotten. The heavenly entourage took Kaguya-hime back to Tsuki no Miyako (月の都; lit. "the Capital of the Moon"), leaving her earthly foster parents in tears.
The parents became very sad and were soon put to bed sick. The officer returned to the Emperor with the items Kaguya-hime had given him as her last mortal act, and reported what had happened. The Emperor read her letter and was overcome with sadness. He asked his servants, "Which mountain is the closest place to Heaven?", to which one replied the Great Mountain of Suruga Province. The Emperor ordered his men to take the letter to the summit of the mountain and burn it, in the hope that his message would reach the distant princess. The men were also commanded to burn the elixir of immortality since the Emperor did not wish to live forever without being able to see her. The legend has it that the word immortality, 不死 (fushi), became the name of the mountain, Mount Fuji. It is also said that the kanji for the mountain, 富士山 (literally "Mountain Abounding with Warriors"), are derived from the Emperor's army ascending the slopes of the mountain to carry out his order. It is said that the smoke from the burning still rises to this day. (In the past, Mount Fuji was much more volcanically active and therefore produced more smoke.)
The hero discovers that these beings, who call themselves Vril-ya, have great telepathic and other parapsychological abilities, such as being able to transmit information, get rid of pain, and put others to sleep. The narrator is offended by the idea that the Vril-ya are better adapted to learn about him than he is to learn about them. Nevertheless, the guide (who turns out to be a magistrate) and his son Taee behave kindly towards him.
The narrator soon discovers that the Vril-ya are descendants of an antediluvian civilization called the Ana, who live in networks of caverns linked by tunnels. Originally surface dwellers, they fled underground thousands of years ago to escape a massive flood and gained greater power by facing and dominating the harsh conditions of the Earth. The place where the narrator descended houses 12,000 families, one of the largest groups. Their society is a technologically supported Utopia, chief among their tools being an "all-permeating fluid" called "Vril", a latent source of energy that the spiritually elevated hosts are able to master through training of their will, to a degree that depends on their hereditary constitution. This mastery gives them access to an extraordinary force that can be controlled at will. It is this fluid that the Vril-ya employ to communicate with the narrator. The powers of the Vril includes the ability to heal, change, and destroy beings and things; the destructive powers in particular are immense, allowing a few young Vril-ya children to destroy entire cities if necessary.
"I did not mean Vril for mesmerism, but for electricity, developed into uses as yet only dimly guessed, and including whatever there may be genuine in mesmerism, which I hold to be a mere branch current of the one great fluid pervading all nature. I am by no means, however, wedded to Vril, if you can suggest anything else to carry out this meaning namely, that the coming race, though akin to us, has nevertheless acquired by hereditary transmission, etc., certain distinctions which make it a different species, and contains powers which we could not attain to through a slow growth of time; so that this race would not amalgamate with, but destroy us. [...]
Now, as some bodies are charged with electricity like the torpedo or electric eel, and never can communicate that power to other bodies, so I suppose the existence of a race charged with that electricity and having acquired the art to concentre and direct it in a word, to be conductors of its lightnings. If you can suggest any other idea of carrying out that idea of a destroying race, I should be glad. Probably even the notion of Vril might be more cleared from mysticism or mesmerism by being simply defined to be electricity and conducted by those staves or rods, omitting all about mesmeric passes, etc."The Qlippoth is the Negative Form shell and/ or Imposter Spirit negative force of the Sephiroth, sends off the work to the rest of the Qlippoth, gives energy to the Qlippoth, the source of power and its force as in its Miasma, which acts as a generator of the same force. Simply, these are the Dead Light forces of the Shadow Self and their spiritual-energetic qualities.
The Adverse Sephiroth or the Qlippoth is the dimensional location that Fallen Angelics hierarchies and the Satanic and Luciferian forces exist. On the path of Ascension our goal is to face the Shadow Self and the demons it associates, and to purify our body and consciousness from its control over us. This is why we must not fear these lower forces, but not give our power to them either, as they are tricksters and deceivers. They are also known as the “Evil Demons of Matter and the Shells of the Dead".
Artificial Tree of Life
Thus, Judaism's Kabbalah and the Artificial Tree of Life is based on the inverted teachings intentionally given by the Thothian groups to generate reversals in the knowledge given in the original Founder Records, and this is overseen and administered by the Yahweh Collective located on Saturn. The Kabbalah esoteric information was brought through in pieces from distorted Patriarchal Melchizedek intelligence that had been captured and reverse engineered, through their original knowledge of the Universal Tree of Life and the quantum mechanics that are included in the 12 holographic plates of the Emerald Founder Records.
The nodes are usually represented as spheres called Sephiroth and the lines are usually represented as paths. The nodes usually represent encompassing aspects of existence, God, or the human psyche.The lines usually represent the relationship between the concepts ascribed to the spheres or a symbolic description of the requirements to go from one sphere to another. The nodes are also associated to deities, angels, celestial bodies, values, single colors or combinations of them, and specific numbers. The columns are usually symbolized as pillars. These pillars usually represent different kinds of values, electric charges, or types of ceremonial magic.It is usually referred to as the Kabbalistic tree of life in order to distinguish it from other concepts with the same name.
In the Jewish Kabbalah, the nodes representing dimensional spheres are called Sephiroth. The diagram is also used by Christian Cabbala, Hermetic Qabalah and Theosophy. The diagram is believed to be derivable from the flower of life. Kabbalistic experts state the tree represents a series of divine emanations of God's creation itself ex nihilo (out of nothing), the nature of revealed divinity, the human soul, and the spiritual path of ascent by man. In this way, Kabbalists developed the symbol into a full model of reality, using the tree to depict a map of creation.
Yahweh Collective
From the Guardian perspective the Sephiroth, meaning emanations, are the 10 attributes of God as described in the Kabbalah Tree of Life, which is a part of the esoteric teaching of Judaism. Judaism's Kabbalah is based on the teachings given by the Yahweh Collective located on Saturn. The Kabbalah brought through pieces of Melchizedek intelligence through the knowledge of the Universal Tree of Life. Due to patriarchal distortions brought through the hidden Negative Alien invasion, the tree of life was disfigured to ten spheres instead of the original mathematical base of twelve. The Kabbalah tree of life represents the distorted 10D base code genetic blueprint of the black sun regressive lineages. Melchizedeks returning to the earth field at the end of the cycle, are attempting to correct and rebuild the distorted Tree of Life back to its correct formula base 12. Metatronic Reversal of the shadow body that is created from this distorted organizational template is called the Black Tree of Life. The 12 Tree Grid is the base holographic instruction set that corrects the continuing spiritual progression for all manifest forms to achieve ascension through an evolving twelve dimensional body.
https://ascensionglossary.com/index.php/12_Essene_Tribes
Previous to the Atlantian Cataclysm, each of the groups of the angelic human 12 Essene Tribes were entrusted as Guardians of a section of the Emerald Founder Records, which held extensive consciousness knowledge about the star origins and genetic template information that was recorded on 12 holographic discs.There are 12 Tribes which make up the entirety of the collective human gene pool on this planet. This identity has had many lifetimes and participated with the evolution cycles of the Root Races throughout the astrological precessions. The genetic modification of the 12 Human Tribes occurred when the assorted Aliens decided to have a competing agenda on writing their genetic codes into the planetary brain and Stargate system, as well as intending Alien Hybridization on the earth.
However, the original 12 Tribes were created as a part of the plan that became the Covenant of Paliador to rescue the lost Souls of Tara, which would be made easier when the gates opened during the Ascension Cycle.https://ascensionglossary.com/index.php/Thoth,_Enki,_Enlil_Collectives
Thoth, Enki, Enlil Collectives are Annunaki hybrid Fallen Angelics that are from Nibiru and formed alliances in the NAA with Necromitons, Odedicrons that serve Nibiruian interests in capturing territory on earth and in this Solar System
By the time that Greek mythology had reached the earliest stage that has survived for our study, we find that there is already a bewildering array of virgin goddesses.
Many of these goddesses were eventually identified with each other, and said to be merely the same person under different names; but others always remained distinct.
When we come to Roman times we meet with many new names of goddess mothers, some of which are undoubtedly synonyms for the earlier Greek divinities, though others are distinct from them. Some of these were virgin mothers of mortals; others were ordinary mothers of the immortals.
Among these Greek and Roman names -- of which several are really synonymous -- are Artemis, Iphigenia, Athena, Pallas, Here, Juno, Agdistis, Cybele, and Rhea. The last-named is identifiable with Agdistis and with Cybele, and was known as "The Mother of Zeus," "The Mother of the Gods," and "The Great Mother."
We need not consider here the details of the myths connected with such goddesses we have not already referred to, since it is with human mothers of "God" that we are now more concerned with. We have already noted how familiar the ancients were with miraculous birth stories.
It is not necessary in this brief survey of the best-known miraculous birth stories, to refer to the births of demi-gods and mortal heroes from mortal women and gods -- or from goddesses and mortal men -- where such births were not miraculous in any other respect than as being the result of a union between a mortal and an immortal.
But the fact that this title of "The Mother of God," so familiar to the pagans, was transferred to the Messiah's mother Mary should not be overlooked. When in later years Catholics began to worship Mary as "The Mother of God," it caused great scandal among those (many of them devout Christians but convinced monotheists) to whom the notion of God having a human mother, or indeed a mother of any kind, was most abhorrent.
As civilization advanced, the new "Mother of God" was pictured as a more refined being than the old "Mother of the god
Dead Sea Scrolls
In The War of the Sons of Light Against the Sons of Darkness, one of the Dead Sea scrolls, Belial is the leader of the Sons of Darkness:
In the Rules of the Community, God is depicted as saying, "I shall not comfort the oppressed until their path is perfect. I shall not retain Belial within my heart."
Yemoja (Yoruba: Yemọja) is a major water deity from the Yoruba religion. She is an orisha. She is often syncretized with either Our Lady of Regla in the afrocuban diaspora or various other Virgin Mary figures of the Catholic Church, a practice that emerged during the era of the Trans-Atlantic slave trade. Yemoja is motherly and strongly protective, and cares deeply for all her children, comforting them and cleansing them of sorrow. She is said to be able to cure infertility in women, and cowrie shells represent her wealth. She does not easily lose her temper, but when angered she can be quite destructive and violent, as the flood waters of turbulent rivers.
Yemoja is often depicted as a mermaid, and is associated with the moon (in some Diaspora communities), water, and feminine mysteries. She is the protector of women. She governs everything pertaining to women; childbirth, conception, parenting, child safety, love, and healing. According to myth, when her waters broke, it caused a great flood creating rivers and streams and the first mortal humans were created from her womb.
-Coffea arabica is a hybrid, which appeared in Ethiopia. It’s supposed “parents” (Coffea canephora or “Robusta” and Coffea eugenioides) are not even from Ethiopia. Are we supposed to believe that a west African coffee species flew by itself across a continent to mate with another species? Or was it flown there? And if then, by who? And why?
-Arabica is an allotetraploid. According to Biology Online, “Allotetraploids are created as a result of both chromosome sets of both parents being present in gametes.” To put it in layman’s terms, this means arabica must be some kind of genetic mutant created by an intelligent plant breeder.
-Coffee is uniquely suited to make humans better, more productive workers. It stimulates the intellect and makes drinkers more alert while promoting stamina. Coffee is an ancient, high technology performance enhancer.
Coffee is impossibly complex. Professional tasters detect flavor notes as disparate as Meyer Lemon, Night Blooming Jasmine, and Prosecco. This is super-natural, nearly psychedelic flavor complexity, designed to lure humans into a daily dosing ritual, just as it did for the lost tribes of Sumer. It is impossible for flavor scientists to duplicate coffee flavor by any process, and today we go to far ends of the world to find the most complex and enchanting flavor expressions. But our journeys to origin today pale in comparison to the galactic road walked by the Anunnaki, whom, should they ever choose to return, I for one would welcome as our new overlords.
https://www.telegraph.co.uk/travel/maps-and-graphics/countries-that-drink-the-most-coffee/
The world's 20 biggest coffee drinkers
Renaissance humanism was a response to what came to be depicted by later whig historians as the "narrow pedantry" associated with medieval scholasticism.[2] Humanists sought to create a citizenry able to speak and write with eloquence and clarity and thus capable of engaging in the civic life of their communities and persuading others to virtuous and prudent actions. This was to be accomplished through the study of the studia humanitatis, today known as the humanities: grammar, rhetoric, history, poetry, and moral philosophy.
According to one scholar of the movement,
Humanism was a pervasive cultural mode and not the program of a small elite, a program to revive the cultural legacy, literary legacy, and moral philosophy of classical antiquity. There were important centres of humanism in Florence, Naples, Rome, Venice, Genoa, Mantua, Ferrara, and Urbino.
https://en.wikipedia.org/wiki/Renaissance_humanism
Some of the first humanists were great collectors of antique manuscripts, including Petrarch, Giovanni Boccaccio, Coluccio Salutati, and Poggio Bracciolini. Of the four, Petrarch was dubbed the "Father of Humanism" because of his devotion or loyalty to Greek and Roman scrolls. Many worked for the Catholic Church and were in holy orders, like Petrarch, while others were lawyers and chancellors of Italian cities, and thus had access to book copying workshops, such as Petrarch's disciple Salutati, the Chancellor of Florence.
In Italy, the humanist educational program won rapid acceptance and, by the mid-15th century, many of the upper classes had received humanist educations, possibly in addition to traditional scholastic ones. Some of the highest officials of the Catholic Church were humanists with the resources to amass important libraries. Such was Cardinal Basilios Bessarion, a convert to the Catholic Church from Greek Orthodoxy, who was considered for the papacy, and was one of the most learned scholars of his time. There were several 15th-century and early 16th-century humanist Popes[4] one of whom, Aeneas Silvius Piccolomini (Pope Pius II), was a prolific author and wrote a treatise on The Education of Boys.[5] These subjects came to be known as the humanities, and the movement which they inspired is shown as humanism.
The migration waves of Byzantine Greek scholars and émigrés in the period following the Crusader sacking of Constantinople and the end of the Byzantine Empire in 1453 greatly assisted the revival of Greek and Roman literature and science via their greater familiarity with ancient languages and works.[6][7] They included Gemistus Pletho, George of Trebizond, Theodorus Gaza, and John Argyropoulos.
Italian humanism spread northward to France, Germany, the Low Countries, Poland-Lithuania, Hungary and England with the adoption of large-scale printing after 1500, and it became associated with the Reformation. In France, pre-eminent humanist Guillaume Budé (1467–1540) applied the philological methods of Italian humanism to the study of antique coinage and to legal history, composing a detailed commentary on Justinian's Code. Budé was a royal absolutist (and not a republican like the early Italian umanisti) who was active in civic life, serving as a diplomat for François I and helping to found the Collège des Lecteurs Royaux (later the Collège de France). Meanwhile, Marguerite de Navarre, the sister of François I, was a poet, novelist, and religious mystic[8] who gathered around her and protected a circle of vernacular poets and writers, including Clément Marot, Pierre de Ronsard, and François Rabelais.
Paganism and Christianity in the Renaissance
Many humanists were churchmen, most notably Pope Pius II, Sixtus IV, and Leo X,[9][10] and there was often patronage of humanists by senior church figures. Much humanist effort went into improving the understanding and translations of Biblical and early Christian texts, both before and after the Reformation, which was greatly influenced by the work of non-Italian, Northern European figures such as Erasmus, Jacques Lefèvre d'Étaples, William Grocyn, and Swedish Catholic Archbishop in exile Olaus Magnus.
Description
The Cambridge Dictionary of Philosophy describes the rationalism of ancient writings as having tremendous impact on Renaissance scholars:
The rediscovery of classical philosophy and science would eventually challenge traditional religious beliefs. In 1417, for example, Poggio Bracciolini discovered the manuscript of Lucretius, De rerum natura, which had been lost for centuries and which contained an explanation of Epicurean doctrine, though at the time this was not commented on much by Renaissance scholars, who confined themselves to remarks about Lucretius's grammar and syntax.
Only in 1564 did French commentator Denys Lambin (1519–72) announce in the preface to the work that "he regarded Lucretius's Epicurean ideas as 'fanciful, absurd, and opposed to Christianity'." Lambin's preface remained standard until the nineteenth century. Epicurus's unacceptable doctrine that pleasure was the highest good "ensured the unpopularity of his philosophy". Lorenzo Valla, however, puts a defense of epicureanism in the mouth of one of the interlocutors of one of his dialogues.
Epicureanism
Charles Trinkhaus regards Valla's "epicureanism" as a ploy, not seriously meant by Valla, but designed to refute Stoicism, which he regarded together with epicureanism as equally inferior to Christianity. Valla's defense, or adaptation, of Epicureanism was later taken up in The Epicurean by Erasmus, the "Prince of humanists:"
Saturnalia was the Roman equivalent to the earlier Greek holiday of Kronia, which was celebrated during the Attic month of Hekatombaion in late midsummer. It held theological importance for some Romans, who saw it as a restoration of the ancient Golden Age, when the world was ruled by Saturn. The Neoplatonist philosopher Porphyry interpreted the freedom associated with Saturnalia as symbolizing the "freeing of souls into immortality". Saturnalia may have influenced some of the customs associated with later celebrations in western Europe occurring in midwinter, particularly traditions associated with Christmas, the Feast of the Holy Innocents, and Epiphany. In particular, the historical western European Christmas custom of electing a "Lord of Misrule" may have its roots in Saturnalia celebrations.The seven artes magicae or artes prohibitae, arts prohibited by canon law, as expounded by Johannes Hartlieb in 1456, their sevenfold partition reflecting that of the artes liberales and artes mechanicae, were: